For this mix I aimed to create a dreamlike and timeless atmosphere – dark (but not too dark). It is calm, yet there are many shifting scenes, many passing landscapes and some conflicting emotions… When it ends, (I hope) it feels as if it was much longer than it actually was …
If one of the criteria for ‘ambient’ music is that you can comfortably fall asleep to it, I guess you’d better skip this particular mix. Although it starts quiet and reassuring with soothing vocal chords from Silvestrov’s “The Lord’s Prayer”, the mood disintegrates and sometimes can become rather unsettling – depending on your own personal ‘incidental memories’, of course.
For reasons I can’t really explain, this mix works better if you listen on speakers instead of headphones – just let the airwaves flow for maximum immersion.
This mix was created especially for Headphone Commute.
Thanks to H_C for publishing it, and for the beautiful introduction words:
Autumn is here. Darkness slowly creeps up just a little bit earlier. Clouds get grayer and swell up with rain. Trees shed their colors and tighten their belts. And people begin to prepare for winter. But among all the shadows there’s a small ray of light. And with that glow comes the music… For today’s exclusive podcast, Peter van Cooten weaves in layers of haunting soundscapes spanning the gray-scale of the ambient universe. It’s a gorgeous soundtrack to the season of tears… I hope you will enjoy!
“I’m not formed by things that are of myself alone”
This is the key quote (taken from Stoker) for this mix, which is also ‘not formed by things of itself alone’. Every detail, every short sample, has its origin in another context, another musical composition, from which it is taken to find a new place in a completely different context.
“My ears hear what others cannot hear.”
“Parallax“ is the visual effect that, when you are moving yourself, objects closer to you seem to move by faster than objects in the distance, which slowly seem to move with you in the same direction.
In sound, drones seem to create a somewhat similar effect.
In some way that is what this mix is about: the background sound slowly moving along with you while some other fragments pass by so quick you cannot even focus.
Just don’t try to focus.
“…Now I see things that were hidden from my eyes…”
The title of this mix is taken from the beautiful soundtrack it heavily leans on: Alexandre Desplat’s “Rust and Bone” (“De Rouille et D’Os”).
“Rust” usually refers to ‘decay’, but in dutch “Rust” simply also means ‘rest‘, (‘tranquil – or ‘repos’ in french).
But – as we say in Holland: “Rust Roest”
– or: “Too much rest will make you rusty…”
In other words: don’t expect just ‘tranquil’ sounds in this mix..
This is nót meant to be your average ‘healing session ambient’ soundtrack… so be prepared…
If you have ever watched Stanley Kubrick‘s “2001 – Space Odyssey“, you will definitely remember the impressive scene in which the memory modules are slowly taken away from HAL, the ship’s main computer, because it started to disfunction and became a threat to the astronauts and their mission.
Just before his memory fades completely, HAL remembers being programmed to sing“Daisy”, one of his earliest digital ‘childhood memories’.
With this scene (as well as with HAL‘s name), Kubrick directly referred to the IBM 7094 computer (used to control the Mercury and Gemini space flights, as well as the Apollo missions) which was programmed to sing Daisy in 1961 – a remarkable accomplishment at that time!
Computer systems revolting, loss of memory, human utterings that seem to come from lost souls….
I guess you’d better be prepared for a dark and suspenseful listening hour …
If you have listened to this mix, I’m really curious to know what you think, so please let me know!
(and please let your friends know, also… just spread the word and make these mixes heard … thanks for your help!)
This must be one of the darkest mixes I have created until now.
I recommend headphone listening for this mix, but also recommend to avoid late night listening – unless, of course, you know what to expect.
The atmosphere is immediately set with the first notes, with a threatening (Boduf Songs) howl , and may even get downright frightening in the end climax.
Yet, not all is dark and gloomy.
In the middle section, there are also more optimistic sounds to enjoy, some more comfortable moments.
So: just let the Machinefabriek track (‘Stroomtoon Eén’- about 4 minutes from the start) guide you downward to a lower consciousness level – “Inception” style – and from there let your imagination do the rest….
“We were playing Hide and Seek on a Cemetery Hill…
…quiet hiding in the flowers…among the Flowers and Bones…”
Atmospheric drones slowly unfold into childhood memories …
Peaceful melancholic romanticism, but gradually overshadowed by fear of something out of control?
Remember: all’s well that ends well….
Mentioning Andrej Tarkovsky’s 1972 movie “Solaris” as a source of inspiration has become a bit of cliche somehow. This classic movie (we’re talking the original Russian 1972 version now) has inspired numerous people, in various fields of art, in its 40 years of existence.
The sparse music soundtrack, created by Edward Artemyev, and the overall meditative ambient atmosphere has also inspired a great deal of ambient music artists.
It also inspired this mix-collage.
Referring to Solaris from a mix like this may not really be in the ‘true spirit’ of what Tarkovsky meant to achieve: he originally wanted to make the movie entirely without using music at all, and asked composer Artemyev to orchestrate the ambient sounds as a musical score. The latter proposed subtly introducing orchestral music. (source).
The sparse use of musical background, together with the length and slow pace of the movie (a ‘meditative psychological drama’) has always had a strange effect on me: it puts me in some kind of half-sleep, a kind of state in which where it is difficult to distinguish details, to separate reality from images less ‘real’.
A half-conscious state of mind that perfectly matches the movie’s theme.
This mix includes many different sources. Some parts of the originals Artemyev soundtrack are linked to fragments of the beautiful game soundtrack from Skyrim, by Jeremy Soule. The cinematic parts are alternated with various electronic soundscape fragments – familiar and less familiar.
Together with many tiny fragments from your own memory, a new – and strictly personal- alternate reality may be created, which (like in Solaris) may be hard to distinguish from real life…
Solaris was originally released in march 1972.
This tribute mix is celebrating this inspiring movie’s 40th anniversary!