Two immersive albums ‘for stillness and reflection’: Robert Rich‘s double album ‘tactile Ground’ and Erik Wølllo‘s ‘Infinite Moments’.
“For me, personally, a mix has the most impact when it feels like I’m watching a movie. With ups, downs, some drama, sentiment, moment of joy, climax and anticlimax. And yes: tension and release.”
The Los Angeles Percussion Quartet presents a stunning double album with 84 minutes of contemporary compositions for percussion.
Performing works from Daniel Bjarnason, Anna Thorvaldsdottir, Christopher Cerrone, Ellen Reid and Andrew McIntosh.
The moment I heard Rami Malek whisper “Mind awake, body asleep” (Mr Robot, series 2) I knew this would be the inspiration for a new mix.
A mix about half-sleep, lucid dreaming impressions… ungraspable images… and about “letting go”.
After all, Mr. Robot’s tagline was “Control is an Illusion”.
This mix was created for – and is co-hosted on – Headphone Commute.
Because of the drones, atmospheric field recordings and insect sounds, this mix will be labeled as an ‘ambient’ mix by most listeners.
And of course it is…. but at the same time it isn’t.
It simply isn’t ‘unobtrusive’ enough to be ‘ambient’.
An hour-long journey of scene changes, meandering between *Kitsch* and *Kult* – a bit more ‘psychedelic’ than ‘ambient’, in fact.
Discover hitherto unknown sonic regions of Svalbard (Spitsbergen) with the acousmatic compositions from Daniel Blinkhorn, a.k.a. FrostBYte
Available in Stereo as well as in stunning full surround versions.
The title ‘One Dog Night’, refers to ‘an adage once used to describe how cold the temperature could drop at night. If it was a particularly cold night, it may have been appropriate to have one, two, even three of your dogs on the bed with you to help keep you warm as you slept!’
On October 26, 1985, Dr. Emmett “Doc” Brown arrives in his flying DeLorean time machine and persuades Marty McFly and his girlfriend, Jennifer Parker, to come back to the future with him.
They arrive on October 21, 2015
Only now we found out why they chose this date!
…. slowly evolving to a state of inert uniformity …. retracing information that was lost from the message … searching for the uniformity in what seems to be randomly disordered …
This mix is published simultaneously on Headphone Commute:
“You’re in for a treat!”
This mix is made to be published in the excellent series of mixes on the “Sounds of a Tired City”, part of the larger website with the same name.
It is published exactly on its first year’s anniversary, so it’s in fact a birthday present too!
Inspired by the site name, I decided I wanted to try to create a sonic ‘walk’ through a ‘tired’ city.
A mix with a lot of scene changes… like walking through an unknown city on a (quiet sunday?) morning – finding hidden surprises and marvels around every corner..
“Jam Karet” is Bahasa Indonesia (Indonesian language) meaning “Elastic Time” (or “Rubber Hours”).
To me, this concept also applies to mixes that include ambient and drone fragments… where the listener gets immersed in sound in such a way that all notion of time is lost; where music could last for minutes, or for hours.
(Created for – and also published on – Headphone Commute)
This mix is built around mysterious vocals. Vocals that may guide you, or lure you, into distances unknown.
Often, but not exclusively, female, and some of them not even human – like the beautiful flute-playing by Jean-Christophe Bonnafous, or the mysterious singing sound of the comet 67P/Churyumov-Gerasimenko that was recently discovered during the Rosetta space missions.
With just a little fantasy you can imagine the Philae Space Lander being attracted by the comet’s song – ultimately leading it to an untimely death.
For this mix I aimed to create a dreamlike and timeless atmosphere – dark (but not too dark). It is calm, yet there are many shifting scenes, many passing landscapes and some conflicting emotions… When it ends, (I hope) it feels as if it was much longer than it actually was …
If one of the criteria for ‘ambient’ music is that you can comfortably fall asleep to it, I guess you’d better skip this particular mix. Although it starts quiet and reassuring with soothing vocal chords from Silvestrov’s “The Lord’s Prayer”, the mood disintegrates and sometimes can become rather unsettling – depending on your own personal ‘incidental memories’, of course.
For reasons I can’t really explain, this mix works better if you listen on speakers instead of headphones – just let the airwaves flow for maximum immersion.
This mix was created especially for Headphone Commute.
Thanks to H_C for publishing it, and for the beautiful introduction words:
Autumn is here. Darkness slowly creeps up just a little bit earlier. Clouds get grayer and swell up with rain. Trees shed their colors and tighten their belts. And people begin to prepare for winter. But among all the shadows there’s a small ray of light. And with that glow comes the music… For today’s exclusive podcast, Peter van Cooten weaves in layers of haunting soundscapes spanning the gray-scale of the ambient universe. It’s a gorgeous soundtrack to the season of tears… I hope you will enjoy!
“I’m not formed by things that are of myself alone”
This is the key quote (taken from Stoker) for this mix, which is also ‘not formed by things of itself alone’. Every detail, every short sample, has its origin in another context, another musical composition, from which it is taken to find a new place in a completely different context.
“My ears hear what others cannot hear.”
“Parallax“ is the visual effect that, when you are moving yourself, objects closer to you seem to move by faster than objects in the distance, which slowly seem to move with you in the same direction.
In sound, drones seem to create a somewhat similar effect.
In some way that is what this mix is about: the background sound slowly moving along with you while some other fragments pass by so quick you cannot even focus.
Just don’t try to focus.
“…Now I see things that were hidden from my eyes…”
The title of this mix is taken from the beautiful soundtrack it heavily leans on: Alexandre Desplat’s “Rust and Bone” (“De Rouille et D’Os”).
“Rust” usually refers to ‘decay’, but in dutch “Rust” simply also means ‘rest‘, (‘tranquil – or ‘repos’ in french).
But – as we say in Holland: “Rust Roest”
– or: “Too much rest will make you rusty…”
In other words: don’t expect just ‘tranquil’ sounds in this mix..
This is nót meant to be your average ‘healing session ambient’ soundtrack… so be prepared…
If you have ever watched Stanley Kubrick‘s “2001 – Space Odyssey“, you will definitely remember the impressive scene in which the memory modules are slowly taken away from HAL, the ship’s main computer, because it started to disfunction and became a threat to the astronauts and their mission.
Just before his memory fades completely, HAL remembers being programmed to sing“Daisy”, one of his earliest digital ‘childhood memories’.
With this scene (as well as with HAL‘s name), Kubrick directly referred to the IBM 7094 computer (used to control the Mercury and Gemini space flights, as well as the Apollo missions) which was programmed to sing Daisy in 1961 – a remarkable accomplishment at that time!
Computer systems revolting, loss of memory, human utterings that seem to come from lost souls….
I guess you’d better be prepared for a dark and suspenseful listening hour …
If you have listened to this mix, I’m really curious to know what you think, so please let me know!
(and please let your friends know, also… just spread the word and make these mixes heard … thanks for your help!)
This must be one of the darkest mixes I have created until now.
I recommend headphone listening for this mix, but also recommend to avoid late night listening – unless, of course, you know what to expect.
The atmosphere is immediately set with the first notes, with a threatening (Boduf Songs) howl , and may even get downright frightening in the end climax.
Yet, not all is dark and gloomy.
In the middle section, there are also more optimistic sounds to enjoy, some more comfortable moments.
So: just let the Machinefabriek track (‘Stroomtoon Eén’- about 4 minutes from the start) guide you downward to a lower consciousness level – “Inception” style – and from there let your imagination do the rest….