Comes/de Waard * Comes/Chatzopoulou
Music ‘to fill those silences that occur when there is nothing to say’: two collaborations of Martijn Comes with Frans de Waard and Nicoleta Chatzopoulou.
Music ‘to fill those silences that occur when there is nothing to say’: two collaborations of Martijn Comes with Frans de Waard and Nicoleta Chatzopoulou.
Two charity compilations, each of them the third in its series: For Ukraine vol. 3, supporting the International Rescue Committee, and Sustain Series, vol. 3 supporting the Eden Reforestation Project. Support their cause!
Ragas in just intonation performed by Christina Vantzou, Michael Harrison and John Also Bennett — Michael Begg’s attempt to realize ‘something that refused to play’.
Apart from its opening sample – ‘It is time to stop seeing. It is time to stop speaking. It is time to listen’, from David Cronenberg’s Crimes Of the Future – this mix has no central theme or story. It’s up to you, the listener, to take the time to listen and go with the flow.
Two (or three?) remarkable releases on Slowcraft Records: Mike Lazarev’s ‘When You Are’ and Anne Garner’s ‘Dear Unknown’.
Comforting acoustic music to lose yourself in: Satie-esque minimalist piano by Memorybell, and Trio Ramberget exploring all keys of the 12-tone scale.
Ambient-Jazz crossing some borders: two different collaborations from Tapani Rinne, and Space Between Clouds – an alias of David Ralicke.
An introduction mix of the two benefit compilations For Ukraine 1 & 2, curated by Headphone Commute and Hollie Kenniff.
Brendan Paxton spends 2.5 hours watching the stars with his violin (and effect pedals) *** Two ambient jazz albums by trumpet player Tetsuroh Konishi.