Chris Watson – El Tren Fantasma

There is, has been and will always be, a lot of debate about what “ambient” music is. Whatever you think of that, the word definitely has ambience in it, so the music will probably have something to do with the atmosphere of your surroundings. 

Closely related, yet still an entirely different matter, are what we call Field Recordings, and/or Environmental Soundscapes
The first strive to record environmental sounds as closely as possible to its origin, the second add an emotional  dimension to that recordings by deliberately manipulating these recordings into a soundscape. Which, inevitably leads to the discussion about the moment when sound becomes music.

Chris Watson is one of the very few real masters of this area (which might be a lot more challenging than you’d suspect). He was one of the founding members of Sheffield’s Cabaret Voltaire and the Hafler Trio, and started another career as a television sound recording engineer in 1981. 
Recording and documenting natural sounds, he has also specialised in assembling these recordings to fascinating soundscapes.
Most of his memorable works have been released on the Touch label, that recently presented his latest masterpiece: “El Tren Fantasma” (The Ghost Train).
And after listening to this album for quite a few times, I can easily state that this is certainly one of the most impressive soundscapes available.

Gareth Davis, Jan and Romke Kleefstra – Tongerswel


Tongerswel

When I reviewed the very first Piiptsjilling release way back in 2008, I wrote it deserved “to be heard in and outside of Friesland (or Holland, for that matter)”. In no way I could have imagined that the combination of Frisian poetry and dreamy improvisational soundscapes would gain international recognision to this extent. 

It’s quite a remarkable feat for “local” music like this to be featured in the October Wire issue on a single advertising page, combining three respectable labels (Home Normal, Experimedia, and Hibernate) promoting different albums by the Kleefstra brothers: Deislieper, Wurdskrieme and Tongerswel, respectively!



Clem Leek – Lifenotes

The album cover image may suggest this is another piano-based album. Not true, although the piano plays an important role.

The first two tracks on his new album Lifenotes clearly demonstrate that Clem Leek is a multi-instrumentalist, playing piano, as well as violin, guitar and various other instruments. 
Along the album, the main instruments vary but the atmosphere remains effectively restrained.  

“This CD was all about getting back to basics and recording pieces that were simple, which happens to be my best way of writing.”

Nils Frahm – Felt

Although just under 30, self-taught pianist Nils Frahm has gained world-wide recognition for his delicate, yet fascinatingly dynamic, improvisational style of playing. He’s not afraid of starting with a brusque hammering of the piano keyboard and keeping that up for quite some time, until suddenly the underlying composition starts to show and may suddenly turn into an utterly moving, melancholic composition.

By recording his playing from the inside, the squeaking and groaning of the piano mechanism accompanying the bright piano notes has become one of his trademarks. 

Felt“,  his latest release, is perfectly in line with its predecessors Wintermusik andThe Bells, but it’s balance is even more mature.

Dakota Suite+Quentin Sirjacq – The Side of her Inexhaustible Heart


Inexhaustible Heart Cover

In the impressive back catologue of Chris Hooson‘s Dakota Suite, a few constant factors can be recognized: his continuing personal struggle with his intense depressions, his dedicated love for his wife Johanna who supports him through his most difficult periods – and the extremely personal quality of his music. 

Recent Dakota Suite albums were mainly instrumental, but this new double album The Side of her Inexhausible Heart” finds a perfect balance between instumental, ‘post-classical’ tracks and the characteristic Chris Hooson vocals known from the earlier Dakota Suite albums: intimate – sometimes even up to almost painfully intimate.

Christina Vantzou – No.1

This is a great time for those that like the instrumental orchestral music of the Stars of the Lid school. 

Fairly short after A Winged Victory for the Sullen (Adam Wiltzie + Dustin O’Halloran), Kranky releases another beautiful album: Christina Vantzou‘s “No. 1” .

Christina Vantzou‘s name may not immediately sound familiar.

With Adam Bryanbaum Wiltzie she has released the The Dead Texan album (2004) – which quickly became a favourite for Stars of the Lid fans. She has also toured with Sparklehorse shortly. 

Apart from composing and performing music, she’s also a prolific visual artist. (In fact she also designed the ‘Nips and Lips’ cover for A Winged Victory).
A lot of the beautiful videos she created for related artists and friends can be enjoyed on her Youtube channel.

Jacob Kirkegaard – Aion (DVD)

Aionis the DVD companion to Kirkegaard’s CD release “Four Rooms” (Touch, 2006).
Inspired by Alvin Lucier’s “I am sitting in a Room” , Kirkegaard recorded the sound of deserted rooms: a church, an auditorium, a swimming pool and a gymnasium.

He then re-recorded the sound played back in the same room over and over again, multiple times, until the sound of the room became a constant drone, ultimately revealing what may be the “soul” of the room. 

That is, of course, a fascinating concept in itself. But there’s another dimension to this project.

Various Artists – Just a Moment


Just a Moment

The Japan Earthquake and the Nuclear Disaster following it seem to have vanished from the media radar completely.
Which is strange enough, since the effects of the latter will be felt for decades (at the very least), and it’s unlikely that the people that were directly affected bu the earthquake have recovered from the disaster by now.

There have been some heartwarming beneficial releases by ambient/experimental artists until now, most notably the “Kanshin” and “For Nihon” albums. But for causes like this, there’s never ‘enough’ that can be raised for those that have suffered.

So, Harry ‘Spheruleus‘ Towell  teamed up with Bartosz ‘Pleq‘ Dziadosz  to curate another compilation in support of those affected by the Japan March disaster.

Just a Moment is released through the Audio Gourmet label, originally specialized in the short 15 minute  ‘coffee/tea break’ EP editions.

Human Greed – Fortress Longing

When waiting for this album to arrive, I have wondered about its strange subtitle: “The internal campaign for the safe and complete return of the sleeping egyptian to the desert”. 

How to prepare for an album about a sleeping egyptian craftsman, waiting endlessly in the British Museum, dreaming about his return to find rest under his lost ‘blanket of sand‘…?

I had no real doubts, of course, considering the preceding Human Greed albums, and Michael Begg‘s contribution to the Fovea Hex projects,  as well as his Fragile Pitches’ collaboration project with Colin Potter.

But, to be honest, I was somewhat reserved about this album’s mythological theme and the effect it might have on the music.