The wind comes from the North, and it is a cold wind.
This is a clear warning that we have to be careful, take action, and take care to preserve the nature that we will miss when it is gone forever.
Plus: Michel Banabila’s ‘Just Above The Surface’
Hior Chronik’s ‘Out Of The Dust’, Francis M. Gri’s ‘Fall And Flares’, and ‘Unsung Memories’ by Polaroid Notes.
Intense improvisations by Aidan Baker/Simon Goff/Thor Harris, and fascinating cellotronics by Ze-Ka
What better way to start a new year with a brand new mix?!?
And a very special one: a collaboration mix with Headphone Commute‘s Mike Lazarev, in which we take five minutes for each turn without knowing the others tracklist. The result: Bipolar!
Shuffle Drones: Eluvium presents a new concept in digital listening: a post-classical composition that plays as long as you like. (Or longer)
From Iceland to Eilean:
Gail Priest inspired by Iceland’s nature, Cicely Irvine’s Excavation and Eilean Records end-of-year compilation with exclusive unreleased tracksCicely Irvine‘s Excavation and Eilean Records end-of-year compilation with exclusive unreleased tracks .
Dictaphone creates some things that were missing before, while omrr puts Egypt’s experimental music on our map. Ghost and Tape prepares us for Spring.
Two albums with a focus on the piano: Robert Haigh‘s Creatures of the Deep and Lost and Found by Bruno Sanfilippo.
Andrew Heath’s ‘lower case music’ (Soundings);
Sonmi451 takes his place on the imaginary map (Panta Rei);
Sven Laux’ virtual orchestra (Paper Streets)
Contemporary chamber music by The Solo Collective (Anne Müller, Alex Stolze, Sebastian Reynolds), Hoshiko Yamane and Mike Lazarev
DreamScenes for November 2017: “Winter is Coming” (Music for People in Trouble)
Claire M. Singer presents Fairge, for (church) organ, cello and electronics. Ben McElroy plays Songs of Iceland.
New music for strings: The Grand Valley State University New Music Ensemble, Stefan Wesolowski and Bartosz Dziadosz & Tomasz Mrenca.
An alternative soundscape to ‘Festen’ by Manos Milonakis * From The Mouth Of The Sun‘s third album ‘Hymn Binding’ * Two albums full of ‘piano-focused tenderness’ by Jason van Wyk
