Robert Moran decomposes Wagner’s Parsifal using a 12-second reverb as an instrument *** Henrik Meierkord plays his meditative ambient cello to turn life’s burden into much-needed peace.
Two ‘modern classical’ album that take melancholy to a different level: ‘Landbrot I’ by Snorri Hallgrímsson and ‘Midnight Intervals’ by Glowworm (Kevin Scott Davis).
“How to Disappear…” – DreamScenes for December 2020.
(Warning: the last 15 minutes of this edition are more intense than usual compared to previous editions).
Acoustic piano, contemporary classical and expressions of ‘Solastalgia’: works by Chris Abrahams, John Luther Adams, Michael Begg and the Black Glass Ensemble.
Three different albums that are still connected: releases by Silent Vigils, James Murray & Mike Lazarev, and Ian Hawgood.
“Beware of the middle road – the obvious road is almost always a fool’s road”.
DreamScenes for November 2020
Built around Christine Ott’s ‘Comma’ and its variation, ‘Upon Departure’ became a somewhat melancholy journey that fits the end of this remarkable year.
(Surround version also available for free download)
Redefining post-classical music: Gyda Valtysdottir, Galya Bisengalieva and Lukas Lauermann.
Snowdrops combines the sound of ondes Martenot with a contemporary classical setting *** Akira Uchida performs two meditations together with the voice of Miu Sakamoto.