On October 26, 1985, Dr. Emmett “Doc” Brown arrives in his flying DeLorean time machine and persuades Marty McFly and his girlfriend, Jennifer Parker, to come back to the future with him.
They arrive on October 21, 2015
Only now we found out why they chose this date!
There is beauty in darkness – and there is often darkness in beauty.
Both are present in these releases from James Murray, Offthesky, Mute Forest and Ugasanie (ordered by increasing darkness)
Catching up some more:
an eclectic collection from young spanish composer Mauro Beltrán, ‘tactile’ music from Tatsuro Kojima, fragile yet virtual memories from Drawing Virtual Gardens, and an astonishing (surround) set by JesterN best described as ‘ambient electroacoustic breakcore’.
Catching up with some beautiful releases from the past few months:
Albums from Gideon Wolf, Michael Begg (Human Greed), Thomas Ragsdale and a collective of Bigo & Twigetti artists producing their album from scratch in only seven days!
In recent years it is not uncommon that artists work together without meeting each other in real life. On-Line collaboration is a common working method: sending work-in-progress to each other until it’s ready.
But as far as I know, two labels collaborating together in this way – matching their artists to work in duos on a collaboration track – has not been done before.
Dialog Tapes, released by Eilean Records and Dauw proves that the sum can indeed be much greater than the sum of its parts.
‘Vapor’ is a compilation of music from the Miasmah label created by its owner Erik K. Skodvin (a.k.a. Svarte Greiner.
It’s a treat for all those that can visit the Miasmah label nights this weekend, but maybe even more for those who can’t be there!
Meandering from one end of the spectrum to the other, with a few surprises along the way: the DreamScenes Autumn selection features Thomas Ragsdale, Dat Rayon, Max Richter, Asid & Banabila, Evan Caminiti, Gaap Kvlt, Jos Smolders, Lone Echo, Gideon Wolf, Ariadne and Mauro Beltrán
“Somehow, in Europe, over the last century, as complexity and inaccessibility became equated with intelligence and the avant-garde, we lost something along the way. Modernism gave us so many stunning works, but we also lost our lullabies.”
Long-form compositions are a challenge to a composer, because he (she) has to deal with the audience’s relatively short attention span: not many people will be able to focus and keep their concentration for 4 hours or even more. For this reason, it is no surprise that long-form experiments are often found in the realm of ambient music. Ánd that they are often dealing with ‘sleep’ – which instantly solves the attention span problem too.
Slowly preparing for autumn with the sounds of Umchunga, Ten, Erik Wøllo, Blaine Todd, Spheruleus (& Friends), S.E.T.I., Farbeak, Evan Caminiti, Offthesky & Pleq, Tatsuro Kojima, Dag Rosenqvist and Graveyard Tapes.
