Tag: soundscapes

ambient music, RECOMMENDATIONS

Matthew Collings – Silence is a Rhythm Too

Matthew Collings (Scotland) has not only recorded and performed as a solo artist, but also worked together with Dag Rosenqvist (Jasper TX), Talvihorros and Ben Frost.
He has been performing live using custom-made software, and composed movie scores – such as a live score for “Man with a Movie Camera”.

“Silence is a Rhythm Too“ is his second solo-album, and it turns out to be quite different from its more ‘minimalist pop’ orientated predecessor“Splintered Instruments” (which is rereleased together with the new album).

RECOMMENDATIONS

D.Rhöne; Sima Kim; Tobias Hellkvist; Joao Damas; Orphax

D.RHÖNE – III (EXODE)
While creating music as Monolyth & Cobalt, Mathias van Eecloo saved some of his more abstract sounds with the filename D.Rhöne: “…a project to be close to the minimalist and repetitive music, the most closely to a drone state..
In 2012 and 2013 he self-released the first two albums under that same name, and now the third (and last) chapter is available as a free download. (There is also a very limited cd-release but that will probably be sold out by the time you’re reading this).

ambient music, RECOMMENDATIONS

Inner Vision Laboratory vs. Nepenthe – Ambit

Inner Vision Laboratory is a musical project from the Polish artist Karol Skrzypiec, who describes his music as ‘basically industrial dark ambient, also including elements of ethnic music, classical music, et al.”

“AMBIT” is the result of his online collaboration with Nepenthe (Daniel Krause) (whose alias probably refers to the ‘Drug of Forgetfullness’). (Note: See Nepenthe’s reaction in the comments below)

ambient music, RECOMMENDATIONS

Micromelancolie – It doesn’t belong here

It seems I have missed some things in the past: Micromelancoliéis a new name to me, but according to the discography on his site, Robert Skrzynski has already released around 30 titles (cassettes and CD/R) since 2009.

Micromelancolié is a great name for his project.
Likewise, “It doesn’t belong here“ is a great album title, since that is exactly how the music sounds: as if it doesn’t belong here.

ambient music, RECOMMENDATIONS

Yair Elazar Glotman – Northern Gulfs

Glacial Movements – the italian label specializing in “ambient and electronic arctic soundscapes” – is one of those labels where the quality of the releases is so consistently in line with their original mission that they can almost be ordered blindly. Quality glacial music guaranteed!

“Northern Gulfs“, the debut release of Yair Elazar Glotman, is no exception to that rule.

ambient music, RECOMMENDATIONS

Aqua Dorsa – The November Earth

“The November Earth“ is Aqua Dorsa‘s second full album, follow up to “Cloudlands“ (2009).
Sadly, it will also be their last: Gianluigi Gasparetti (better known as Oöphoi), died in april 2013.

The album they were working on was finished by his Aqua Dorsa partner Enrico Coniglio and was released later in 2013.

Therefore,“The November Earth“ has become a fitting In Memoriam album to remember one of ambient music’s finest artist.

ambient music, RECOMMENDATIONS

Celer; Ian Hawgood; Keith Berry; Kissy Suzuki; Strom Noir

In the Shortlist sections, I will mention the albums that I enjoyed listening to, but couldn’t find the time (or the right words) for a “full” review for. Still, I definitely think they deserve your attention, with ór without extra words!

Celer - ZigZag

CELER – ZIGZAG
It’s quite hard to keep up with Will Long’s incredible output: the Celer discography counts over 100 titles now, of which 8 albums were released in 2013 alone! But it’s worth trying, because his releases (Celer is his solo project since 2009) have a constant quality and a personal trademark sound.
Currently living in Tokyo, it’s only fitting that his latest (or one of his latest) albums is released on the Spekk label.

ambient music, RECOMMENDATIONS

Kontakt der Jünglinge – Makrophonie 1

With a real name for an album title, Kontakt Der Jünglinge (Thomas Köner and Asmus Tietchens – the name being a homage to Stockhausen) break with the naming tradition of the predecessor series released in 2001 – 2003: ‘0’, ‘1’, ‘-1’, ‘N’.

The black color of the cover (in contrast to the white sleeves of the earlier series) suggests that there a more differences: to begin with, “Makrophonie 1“ is not a live set recording but the duo’s first studio album.