In Praise of the Saddest Chord
‘In Praise of the Saddest Chord’: all of the tracks in this mix are in D-minor, which is said to be ‘the saddest chord’.
‘In Praise of the Saddest Chord’: all of the tracks in this mix are in D-minor, which is said to be ‘the saddest chord’.
DreamScenes for May 2023:
“My little friend I lull to rest. But outside, a face looms at the window”
Martyna Basta explores the beauty of uncertainty *** Flos explores two different sides of their self-made Flos Boards
Erik Levander, Grant Chapman and Piotr Kurek: three different approaches to connect voices to their (or your) environment.
“Oh Moon, Oh Moon, Where? Oh Moon, Oh Moon, Where Are You?”
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DreamScenes for March 2023
Albums by Arovane (Uwe Zahn) and EMHO ( Emmanuel Hourquet) are linked by a split album of the same artists.
Two fascinating releases on the Touch label: Ted Reichman’s approach to the sound of a church organ, and CM von Hauswolff & Chandra Shukla’s Bali Travelogue.
Harry Towell and Machinefabriek tap into their network to present a collection of collaborations.
This 2-hour mix is my contribution to the fourth 8-hour edition of Winter Solstice on Concertzender Nederland. All fragments and samples in this mix are “in C”.