The moment I heard Rami Malek whisper “Mind awake, body asleep” (Mr Robot, series 2) I knew this would be the inspiration for a new mix.
A mix about half-sleep, lucid dreaming impressions… ungraspable images… and about “letting go”.
After all, Mr. Robot’s tagline was “Control is an Illusion”.
“Life can only be remembered backwards, but it must be lived forwards.”
The central piece provides the title for this mix: Solace – “Comfort in sorrow, misfortune. Consolation.”
This Fovea Hex track literally breathes consolation in every single note, so it seemed a good starting point for this mix.
It is also one of the few tracks in the mix that are included in its full length.
Even though there are quite some dark moments in this mix, I hope it may bring some ‘solace’ – if needed.
(If not needed: even better…! It still can be nice to feel a bit melancholic for a while, can’t it?)
Because of the drones, atmospheric field recordings and insect sounds, this mix will be labeled as an ‘ambient’ mix by most listeners.
And of course it is…. but at the same time it isn’t.
It simply isn’t ‘unobtrusive’ enough to be ‘ambient’.
This mix is made to be published in the excellent series of mixes on the “Sounds of a Tired City”, part of the larger website with the same name.
It is published exactly on its first year’s anniversary, so it’s in fact a birthday present too!
Inspired by the site name, I decided I wanted to try to create a sonic ‘walk’ through a ‘tired’ city.
A mix with a lot of scene changes… like walking through an unknown city on a (quiet sunday?) morning – finding hidden surprises and marvels around every corner..
“Jam Karet” is Bahasa Indonesia (Indonesian language) meaning “Elastic Time” (or “Rubber Hours”).
To me, this concept also applies to mixes that include ambient and drone fragments… where the listener gets immersed in sound in such a way that all notion of time is lost; where music could last for minutes, or for hours.
This mix is built around mysterious vocals. Vocals that may guide you, or lure you, into distances unknown.
Often, but not exclusively, female, and some of them not even human – like the beautiful flute-playing by Jean-Christophe Bonnafous, or the mysterious singing sound of the comet 67P/Churyumov-Gerasimenko that was recently discovered during the Rosetta space missions.
With just a little fantasy you can imagine the Philae Space Lander being attracted by the comet’s song – ultimately leading it to an untimely death.