Goldmund – The Heart Of High Places

Goldmund - Heart of high places

The sound of Goldmund (Keith Kenniff’s) piano on this record definitely reminds me of the early Harold Budd recording The Serpent (in Quicksilver).
The intimately recorded piano sound (including all pedal movements and instument cracking), the emotional melancholy themes…
Take, for example, this first track: ‘Unbraiding the Sun’. It’s only 1’33”, but put it on repeat and you’ve got a beautiful Satie-esque soundtrack.

The music of this short 6-track 7″ will haunt you much longer that the 10 minutes of music it consists.

Jacob Kirkegaard – 4 Rooms

Jacob Kirkegaard - 4 Rooms

If you record a room’s resonation, feed back the recording into that room and record it again, and do this a couple of time so that the feedback gets stronger and stronger, will the result reveal the ‘soul’ of that room?
And will something in this ‘soul’ reveal the fact that these rooms were once busy with people (church, gymnasium, swimming pool, auditorium) but are now completely desolated?
And will you be able to hear the fact that these rooms are all located in the Tchernobyl disaster area?

This, as you may guess, is not intended as ‘easy background ambient’.  The result is not unlike some of Thomas Köner’s work – but it’s the concept that makes is almost frightening.

Martyn Bates and Troum – To a Child dancing in the wind

Martyn Bates and Troum

By definition, ‘ambient music’ cannot be ‘vocal music’ unless only wordless syllables are sung (by my traditional definition, that is). Recognisable text generally asks too much attention, and singing almost always requires chords that can be ‘remembered’ easily. Still – in the last year I have heard some great examples of music that defies this narrow definition. There are quite a few examples of “songs” that work very well with a clearly ambient, droney background. For a good example, listen to Wheely Down cover by the Uncertain Music Corps.

Banabila + Asid: Oh No Uaredero

Banabila + Asid

I’ve said it before, and I’ll probably say it again: Michel Banabila’s music (a well-balanced fusion of electronic, ambient, jazz and ethnic music) deserves much more attention, and not only in Europe! 
To get a good impression of his versatility, you can check the myspace accounts listed below. Or read the ‘Hilarious Expedition’ weblog entry earlier. Or just click the icon below to listen to ‘Oh No Uaredeo’ with Salar Asid on violin).

Svalastog – Woodwork

Woodwork

Rune Grammofon does it again! Can you imagine what ‘electronic’ music based on the sound of a ram’s horn, a cow’s horn and a harpeleiki (a norwegian zither) could sound like? Well – in fact it sounds a bit like the compositions of Information’s ‘Biomekano’, because that’s where Per Henrik Svalastog comes from. Only this time the sound is much more natural (as opposed to electronic), due to the nature of the instruments used. This is a complete new definition of the electro-acoustic genre. Fascinating!

Helios – Eingya

helios

Although Keith Kenniff’s (aka Helios, aka Goldmund) music is labelled as ‘ambient’ in fact it’s nothing like it. At least not in my definition of the genre. There’s way too much melody and rhythm in it, you could even hum along…
It’s not just strictly electronics – there’s a soft guitar, piano, laid back percussion. This is the sort of music that feels like a warm bath. It’s very ‘friendly’ music…opposite to the dark threatening atmosphere that ambient drones sometimes have.
Sounds a bit like Susumu Yokota on his better works, and, yes indeed, Goldmund.

Sacred Dub Podcasts

Sacred Dub Podcast logo

If you’re a fan of the music of Bill Laswell, then probably you’re also one of the followers that cannot seem to get enough of that stuff! Check out www.sacreddub.com.
Apart from a wealth of information, hot news, and an extensive discography, the collection of downloadable podcasts is especially interesting. At time of writing there are already 13 available, each one lasting one hour, and complete with full track details!

As the title suggests, these podcast focus on Laswell’s (ambient-) dub experiments. Apart from Laswell’s own music there’s also interesting material from artists closely related to his style. The nonstop mixes are available as 128 Kbit MP3-files, which is good enough to listen on your MP3-player. Polish up your internet connection and start downloading before it’s too late!

Modern Institute – Excellent Swimmer

modern institute

Ambient electronic music sometimes seems to lack self-relativism and humour. That’s why track-titles like “ECM Haircuts” or “Sign Everyone in Iceland” call for immediate attention.

“Excellent Swimmer” – the latest Modern Institute Album on Expanding Records – has just the right mix of relativism and seriousness, and a perfect blend of electronic and acoustic sounds too..

It’s Martina Bertoni (on cello) and Teho Teardo (on everything else) – with a little help from Mark Beazley (Rothko) on the track you can listen here (called “post.ino”). 

“Excellent Swimmer” defies standard genres; there’s quite a lot of references found in it…sometimes it even reminded me of the Penguin Cafe Orchestra.

Nice. Or more than nice – Great!