Tag: podcast

“Acoustical Illusions”, a part of the “Hum in the Room-trilogy” (2005), is dedicated to the environmental sounds that sound like distant choirs or orchestras.

Sometimes when you listen to sounds in your environmental background, they may vaguely sound like a full string orchestra, or like soft whispering voices.
An orchestra tuning? Cars passing on the highway?Sound that sound different from what they really are – Acoustical Illusions.

Like the other wo mixes in this set (“Mantra of Walls and Wiring” and “The Hum in the Room“) this is a very minimal, drone-oriented mix.

And probably, you’ll also hear some sounds that aren’t even in it!

“Mantra of Walls and Wiring” is the first of a set of three one hour mixes created in 2005.
The other two are “The Hum in the Room” and “Acoustical Illusion” (will follow later).

As you can read from the titles, these mixes thematically deal with the sound you can hear in your living environment; the ‘everyday hum‘ surrounding you.

I got inspired for this theme when I listened to a slowly fading ambient-cd…and finally realised the cd had already stopped for quite a while and I was obviously listening to (and enjoying) the hum of my own refrigerator!
Since then the household environmental sounds do not disturb me anymore…they became part of the music I’m playing.

Starting point of these programs is the text Paul Simon wrote for Philip Glass‘s ‘Changing Opinion’ (‘Songs from Liquid Days’), featured here in an extremely ‘deconstructed’ version (full text below).

Compared to the previous mixes these mixes are less accessible for listeners not used to ‘ambient drone music’.
These are the most ‘minimal’ mixes, containing some very strange combinations: the David Darling recording with the Wulu Bunun for example (which may give the feeling you are lifted into the sky) flowing into the sound of eternal rest of Eliane Radigue, followed by Herbert‘s sound of home-cooking bringing you back to your own private home.

As in all mixes, there are some dark and tense parts. This is not meant to be ‘new age happiness’ at all.
But in fact its serene timelessness never fails to amaze me.

Part 2 of the 2-part mix called ‘S.A.D. Sounds (Voorjaarsmoe)‘  (from april 2004).

The first part can be found here. (Please listen in sequence…)

“S.A.D.” is an acronym of ‘Seasonal Affective Disorder‘, otherwise known as ‘Spring Fatigue’ (and also for the other season’s equivalents, like ‘Winter Depression’).

In Part 2, this theme is reflected in the closing part, a recording of a Kathleen Ferrier’s performance of Handel’s “Spring is Coming” (From ‘Ottone’):
Why should I alone be silent, when all nature awakes to life?”

The joys of springtime usually get the most attention, but the season has a dark side, too: “Spring Fatique”.
The need to eat and to sleep more than usual, inexplicable mood changes, the difficulty to be able to concentrate, etc.

These feelings are not strictly limited to the spring season, however. Comparable feelings are also known in Winter and Fall. About 60% of all people will probably recognise these symptoms. About 2% suffer from the more serious “Seasonal Affective Disorder’ (S.A.D.), also known as ‘Winter Depression’.

The symptoms described can almost be heard in the strange soundscapes of this mix: not only in the titles of the tracks, but also in the atmosphere. Dark sounds, mostly, especially in the beginning. Luckily, the keynote of the pieces used gets lighter when time progresses: it is as if you hear the sun struggling to break through the sky.. Besides being an auditive impression of the tiredness of spring, this program may hopefully also be a remedy against it.

This mix was created in 2004.

The classic Peter Hammill track ‘The Birds’ in the beginning of Part 1 defines the theme:

‘Spring came far too early this year: Mayflowers blooming in February.
Should I be sad for the months, or glad for the sky?
The birds don’t know which way to sing, and, my friends, neither do I.’

(Part 2 of this mix can be found here)