Solo work from Siavash Amini covering places behind shadows where darkness looms, and his collaboration with Umchunga reinterpreting dead composers beyond recognition.
Shuffle Drones: Eluvium presents a new concept in digital listening: a post-classical composition that plays as long as you like. (Or longer)
A selection of Drone releases by the Line Imprint label and the Dutch Moving Furniture label:
Dive into the sounds of eternity with Eleh & Richard Chartier, Yann Novak, Radboud Mens & Matthijs Kouw, David Fyans, Martijn Comes and Orphax
There’s a remarkable amount of rain falling in this July edition of DreamScenes. Well… I guess it perfectly fits this summer season…
With Cerfilic, Ian William Craig, Helios, Ben Lukas Boysen, Antonymes/Marconi Union, Claire M. Singer, Olivier Alary, Jonty Harrison, Stephan Mathieu, Mathieu Lamontagne, Anne Garner/Christoph Berg, M4X and Max Richter.
Perfect Winter Music……
With a small warning:
You máy need the soothing sounds from Chihei Hatakeyama, Dirk Serries and Orphax to recover from the surrealistic nightmares induced by Bas van Huizen’s ‘Kluwekracht’!
Soundscapes from all over the globe: new albums from Ebauche (Ireland, Poland, Cambodia); Todd Tobias (US); Arash Akbari (Iran); Darren McClure (Japan) & Jose Soberanes (Mexico)
Music for “Wine Time” … Music for Marrakech Taxis … Drones for every day of the Week … and finally drones for a Future Terrain and to get lost completely …
In the Shortlist sections, I will mention the albums that I enjoyed listening to, but couldn’t find the time (or the right words) for a “full” review for.
Still, I definitely think they deserve your attention, with or without extra words!
FROZEN THOUGHTS – CALM BEFORE THE STORM
Frozen Thoughts is Petar Sakic, previously releasing hardcore dance music as Phobos. After hearing Biosphere’s ‘Substrata’ in 2005, he started to create his own ambient music – especially created for the Glacial Movements label, which is particularly known for its characteristic glacial (though not ‘cold’) atmosphere.
Philippe Lamy (France) is an artist combining various art-forms. He’s a painter, but also teaches ‘plastic arts’ at the School of Architecture in Toulouse. He started creating music about ten years ago, “feeling that his paintings and music resonate together”.
His soundscapes indeed resemble paintings: they are incredibly detailed, almost organic, including a wide dynamic range of sounds.
His latest solo album,“SlowFast“, is recently released, following up two recent collaboration projects with well-known Polish artist Pleq.
Like his previous release on the same Low Point label (“A Young Persons Guide to KBD“ from 2010), Kyle Bobby Dunn‘s latest release is a 2 hour double album set with a title suggesting a somewhat bombastic “grandeur”.
But the sound on “Bring Me The Head of Kyle Bobby Dunn“ offers the opposite of what the title suggests. “Drawing upon a love for emotional detailing and cinematically charged grandeur, these suites offer an apex in romantic, haunting and lonely bliss”.
Along with two other (dutch!) musicians Machinefabriek and Michel Banabila, Matthew Florianz is one of the three “all time favourite artists” in my last.fm profile.
This obviously means I was eagerly awaiting the release of Matthew’s new album “Koude Handen” (“Cold Hands”), his follow up to 2008’s “Maalbeek“.
“Koude Handen” is presented as a free download from Matthew’s website – available as high bitrate MP3 or even as 24 bit FLAC (which, mind you, is even a better bitrate than standard CD can provide!). The album page also offers the complete artwork, as well as some beautiful promo videos.
And, to celebrate the release of this new album, Matthew also offers his previous release “Maalbeek” as a free download!
It’s not really a shame when you missed these albums when they were originally released in 1990/92/93.
Even though the original label (Barooni) was located in my hometown, I did not notice these releases until they were re-released on Mille Plateaux a few years later.
With following album releases, Thomas Köner’s immersive drones found wider attention, and gained more and more recognistion. Albums like Kaamos, Daikan, Unerforschtes Gebiet, Nuuk and, more recently, La Barca) firmly established Köner’s reputation as the absolute master of immersive deep dronescapes.
And thus the interest in his back catalogue also grew.
So don’t let them pass you by this time: these albums are definitely classics of electronic and drone music!