Paul Sharma – Embers

Paul Sharma‘s Embers is a beautiful electronic composition based on the Indian midnight raga Malkauns, and thus is very suitable for midnight listening (The Raga Guide indicates Late Night: 12 – 3).

“Malkauns is a serious, meditative raga, and is developed mostly in the lower octave (mandra saptak) and in a slow tempo (vilambit laya).”
(Wikipedia)

On this version the vocals are more in the middle octave as that suits Rajesh’s voice, but there are instruments at the lower (and sub-lower) to compensate. The vocal piece starts with an alap (free or rhythmless tempo) and then a slow tempo vocal.

“It is a majestic and somewhat introverted pentatonic raga, which seems to have undergone quite a transformation over the centuries. Superstitious musicians describe it as a raga with supernatural powers, and some believe that it can attract evil spirits.”
(The Raga Guide)


Charles Spearin – The Happiness Project


http://www.happiness-project.ca/about.php

It’s not ambient, and it’s only remotely electronic.
Still, when I discovered this album last week (it was released in march this year), it left me completely speechless and utterly fascinated.  
 
The Happiness Project is a concept created by Charles Spearin from Toronto, known by some for his contributions to Do Make Say Think and Broken Social Scene.

For this project he has been interviewing some of his neighbours in downtown Toronto, and used their recorded voice to create the musical track.
In these sample-laden times that in itself  does not sound very spectacular, but Spearin focussed on the melody of the voice and doubled it with a musical instrument fitting the voice. The pitch of the voice is never changed, but rhythmic and melodic patterns are created by repeating some of the phrases. Thus resulting in a sparkling and engaging kind of experimental jazz music.

Peter Broderick – Music for a Sleeping Sculpture…


Peter Broderick

Earlier this weekend, the Belgian label Slaapwel (Sleep Well) presented their first labelnight in Leuven, Belgium.
To my regret, I was not able to be there – although I’m a big fan of Slaapwel’s sleep inducing catalogue.

And, looking at the venue for this special night (including breakfast) it must have been very special indeed:

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The Innocence Mission – We Walked in Song

It’s hard to tell what it is exactly that touches me everytime I hear the songs of The Innocence Mission. Is it the pureness (innocence?) of singer-songwriter Karen’s voice, reminding me of early 10.000 Maniacs? (This connection is no coincidence: Karen and Don Peris contributed to Natalie Merchant’s Ophelia).
Is it the open, seemingly simple, acoustic arrangements played by Don Peris on guitar and Mike Bitts on bass?
Is it the combination? Does it matter, anyway? 
What really matters is that The Innocence Mission released at least TEN records, and that none of these gained any serious attention in Europe. Please, notice them! You can start with ‘We Walked in Song’ and work backwards from there…

Susanna and the Magical Orchestra – Melody Mountain

melody mountain

To say that I was touched by “Melody Mountain”, by Susanna and the Magical Orchestra would be an understatement. In fact, it hit me quite hard.
It may seem a bit strange to have an entry on this blog about a vocal cd containing pop covers…if it weren’t for the music in the background. This sparse, mainly electronic music will certainly appeal to the ambient music fan. It is created by jaga Jazzist keyboard player Morten Qvenild and produced by Deathprod (Supersilent) – who is well known for his own ambient music and his collaboration with Biosphere. Backed by this (almost ambient) soundtrack, Susanna’s voice sounds even more intimate and honest.

The selection of artists covered may well raise an eyebrow (or two): Prince, Leonard Cohen, Bob Dylan, AC/DC (!!), Kiss (!!!!), Depeche Mode, Fairport Convention (the cover of Fotheringay is especially moving) , and the inevitable Joy Division (sampled here). If you like Nouvelle Vague but think they were a bit too light-hearted, be sure to try out Melody Mountain!

Akira Rabelais – Spellewauerynsherde

Maybe it’s because of this unpronounceable title, but I have completely missed this (2004!) release. I never have heard about it until recently. Better late than never, because this is easily one of the strangest and the most compelling albums I ever heard!

Upon hearing only the first track of this haunting album I realised that this is a sound completely different from all I heard before.
It’s as if a voice coming from the middle ages haunts you in your deepest sleep. It’s beautiful, heavenlike. But at the same time it’s distorted and confusing, scary even.

“Spellewauerynsherde” is built up from found sounds, field recordings of traditional Icelandic accapella lament songs recorded in the late 1960s or early 1970s on Ampex tapes and then forgotten about. After discovering the neglected tapes, cleaning them up and digitizing them for a library, Rabelais became fascinated with the heartbreaking sadness of the voices and began to think of them as source material for a series of compositions.

As the title (Spelle, Wavering, Sharde) suggests, you will not understand a word of what is sung. But somehow the message will come through.

This incredible record is available through samadhisound (David Sylvian’s label)

A Boomkat (recommended online store specialised in recordings like this) quote: “Not many album’s will move you in quite the way that this album does. Believe. “
Believe, indeed!