Piiptsjilling – Wurdskrieme

On the debut release in 2008, Piiptsjilling was the name of the album performed by Machinefabriek & Jan Kleefstra, together with Romke Kleefstra and Mariska Baars
Following this remarkable debut, the original contributors have kept working together and performing in as well as outside Holland – to growing critical acclaim.

Now, Piiptsjilling is used as the name of the band.

One might think this kind of spoken word music, spoken in the Frisian language (Friesland is a province in the north of the Netherlands) would be of local interest only.
Luckily, the opposite prove to be true: the message of their music came across widely outside Friesland too. 

The new Piiptsjilling album, called “Wurdskrieme(Cry of Words) is now released on Experimedia.net
Compared to the original Piiptsjilling album, it’s a quite different view of the same concept.

Slow Dancing Society – Under the Sodium Lights

Slow Dancing Society is Washington based musician Drew Sullivan.
Under the Sodium Lightsis his fourth full album release for the Australian label Hidden Shoal Recordings.

Though the music on “Under the Sodium Light” can definitely be “filed under ambient”, it also has a ‘pop music’/’post-rock’ feel that may also appeal to listeners outside the ambient genre.

Toshimaru Nakamura – Egrets

The Samadhisound label, founded and curated by David Sylvian, simultaneously released three impressive titles. Together they present a landmark of the current experimental/electronic/ improv scene.
Be prepared: none of these albums are ‘easy listening’ music – in fact, a lot of this music wouldn’t even be considered ‘ambient’.

Next to David Sylvian, it’s Arve Henriksen linking Toshimaru Nakamura‘s album to that of Jan Bang.
However, Henriksen’s trumpet handling is quite different here: it includes the sound of the instrument itself (like the clicking of the valves), as well as the breathing of the player.
This perfectly fits the music of Toshimaru Nakamura – who is a household name in the Japanese onkyo (noise) and improv scene.

Akira Rabelais – Caduceus

The Samadhisound label, founded and curated by David Sylvian, simultaneously released three impressive titles. Together they present a landmark of the current experimental/electronic/ improv scene.
Be prepared: none of these albums are ‘easy listening’ music – in fact, a lot of this music wouldn’t even be considered ‘ambient’.

If I would compile a list of all time favourite albums, Akira Rabelais’ Spellewauerynsherde (also released on Samadhisound) would definitely end up in the highest regions. 
Thus, expectations were mile-high when SamadhiSound announced the release of a new Rabelais album called Caduceus.

Machinefabriek – Ax / Still


http://www.machinefabriek.nu
 

‘The Hardest Working Man in Showbusiness’.
Usually this refers to Funk Godfather James Brown, but if anyone else deserves this credit it would be Rutger ‘Machinefabriek‘ Zuydervelt.

From 2004, he has been releasing a steady stream of music, most of them self-released (often on 3-inch CDR’s with handcrafted artwork). 

Though in itself his work is quite uncompromising, it did not stay unnoticed for long. Machinefabriek soon became one of Europe’s most important and acclaimed electronic artists.

Celer – Close Proximity…

This could have been one of the shortest reviews of this weblog: I simply could state that this music induced some of the deepest sleeps I experienced when listening to ambient music. And please don’t doubt that that is meant as a true compliment!

Even the found environmental sounds included in the tracks could not disturb the peaceful quiet and the balanced harmonies of this music. And most of the real-time environmental sounds merging in from outside can’t either.

This fact alone makes this album one of the most impressive I heard this year.

Wixel’s 2009 Project

clouds cover

Wixel sometimes refers to the small group of musicians surrounding the Belgian artist Wim Maesschalk. When I recently saw them performing at a dutch festival (CrossLinx), I felt they sounded like Sigur Rós but without the vocals. Which is meant as a compliment, because when listening to most of Sigur Rós’s music I always wonder if I would like it better without the odd vocals. 

‘Wixel’ is also used as Wim Maesschalk’s artist nickname.
Wim ‘Wixel’ Maesschalk is a prolific artist, working very hard to find ways to get his music exposed to the world. (not unlike Rutger ‘Machinefabriek‘ Zuydervelt, though their musical angles are different).

Slowly, the world starts to find Wixel’s music too.

Robert Fripp & Brian Eno – Beyond Even (1992 – 2006)

Fripp & Eno

There have been quite a few mediocre (‘fans only’) releases by Brian Eno in the last couple of years. The 2004 collaboration with Robert Fripp was a remarkable exception, and so is their collaboration sketches overview “Beyond Even (1996 – 2006)”.
I call this a ‘sketches overview’ because  it feels like that: a collection of works that sound like good yet unfinished ideas. Which does not mean they sound like second hand outtakes that should not have been released. Most of these tracks are very beautiful indeed, and do deserve a life on their own. However some of this tracks still feel a bit outdated, even a bit mushy sometimes.