Barely one month after the DVD (re-)release of “Escapement”, Poppy Ackroyd pops up again with her newest full album release “Feathers” . Time for a quick update, an ‘addendum’ to the previous post. … Read More
The second edition of the monthly broadcast with a wealth of new album tracks. … Read More
Robert Rich‘s “Somnium” – released in 2001 – was (and still is) one of the landmark monuments of ambient music. Based on his experience playing sleep concerts since 1982, this 7 hour work was especially composed to be your companion during the night, following the natural flow of sleep cycles.
The original Somnium DVD (that was the only format then that could hold such an amount of music) has long sold out now.
But the good news is: there is a successor to this project now: “Perpetual” (and its physical release also contains the original “Somnium” recordings)! … Read More
The migration of this blog has taken up some time, so I got a little behind in mentioning some fine album recommendations.
Here is another shortlist to catch up
… Read More
Shortlist for October 2014: albums by Marconi Union (including ‘the most relaxing track ever released’!), Aquavoice, Amongst Myselves, Looped Exodus and another huge compilation from Future Sequence. … Read More
Packed in a beautiful black embossed cover is this remarkable re-issue of Poppy Ackroyd’s 2012 album. For this re-release, “Escapement” is presented in DVD-format with visuals by Lumen (Tom Newell). … Read More
A Winged Victory for the Sullen (AWVftS) is often referred to as a duo consisting of Adam Wiltzie (core member of the legendary Stars of the Lid – guess there’s no further introduction needed) and pianist/composer Dustin O’Halloran. But AWVftS would not be AWVftS without the (now 7-member) string section and the additional modular synth sounds created by Francesco Donadello. Together they present a full orchestral sound with a fascinating balance of string arrangements, melancholic piano melodies and (somewhat unsettling) synth embeddings. … Read More
When you read this, the new ambientblog site is live!
To celebrate this, 30 FREE ALBUM DOWNLOAD CODES can be won.
The winners will be randomly drawn from all email subscribers that have entered their address in the first 48 hours (counting from October, 21) … Read More
On tuesday, October 21, it is exactly NINE years since the very first blog post.
And exactly five years since its name was changed to Ambientblog.net.
It is also the day this weblog (and all of its content) will be migrated to a new software platform.
To celebrate this, I have 30 FREE ALBUM DOWNLOAD CODES to give away! … Read More
Thomas Köner is perhaps the Jules Verne of ambient-electronic soundscapes: his sounds seem to come from the deepest ocean, the centre of the earth, the vastest spaces imaginable. If you know his work, you will often immediately recognise his sound when you hear it – and maybe feel it before you even hear it.
Knowing his back-catalogue, the choice of a piano as the main instrument for his new album is somewhat surprising. Piano notes are clearly fixed in time, as opposed to the stretched sounds Thomas Köner usually applies. It is, in a way, a bit of a “rigid instrument”. … Read More
“A collection that holds twelve works for voice and 1/4″ tape” is a description that immediately grasps my attention, especially when the performing artists is “a trained opera singer, delivering an elegant balance between theatrical and ambient sentiments”. … Read More
Throughout musical history, composers have always taken fragments of other composers’ work and used them to re-compose completely new compositions. Before “electricity”, their choice of instruments was ‘limited’ to that of the classical orchestra settings. And now time has passed, they all sound ‘classical’ to contemporary ears.
But when contemporary composers – especially from ‘rock’ or experimental field – reworks classical compositions, incorporating electronic media – hell breaks loose in purist camps on both sides.
At least, that’s how it used to be – some years ago. It seems things have changed a bit since we’re more accustomed to the culture of ‘sampling’. … Read More
This is the very first of a monthly broadcast I plan to do from now, presenting (more or less) recent ambient/electronic music in a one hour uninterrupted “show”.
These programs will be streamed “live” every first friday evening of the month (7PM+2 UTC; 21:00hr local time) via the MIXLR channel -where you can join in and chat/comment if you like!
They will also stay available for on-demand listening on MIXCLOUD.
Full playlist details published below.
Hope you’ll join in!! … Read More
Some of you may remember that before this blog became “Ambientblog” in 2009, it was called “DreamScenes“.
Although still a ‘niche genre’, the interest in ambient/electronic/experimental music has kept growing, and currently there seems to be much more music than I could ever write about here.
Which sometimes leaves me with a slight guilt about not presenting music that is definitely worth listening!
Time to revive the “radio show” format…..!
Starting October, 3, (21:00 hr local time: UTC+2), the DreamScenes ambient music channel will be broadcast monthly using the possibilities of MIXLR webradio.
The programs will also be archived for later listening on MIXCLOUD – ánd of course here on Ambientblog.
… Read More
WOOB – AMBIENT DISASTER MOVIE
After having released two timeless albums on the now legendary EM:T label (“1194″ and “4495”), Woob (Paul Frankland, also known as Max & Harvey and half of Journeyman) took some time off from making music (to work in the advertising industry) – returning in 2010 to release a string of new albums on Bigamoebasounds.
On “Ambient Disaster Movie”, the sound (sometimes referred to as ‘post-rave ambient’) is still as bright and recognisable as it was in the beginning – presented with a refreshing (tongue-in-cheek) sense of humour.
… Read More