Michel Banabila – The Latest Research…


Research - Cover

For those familiar with the work of Michel Banabila  (and if not: you may check this mix presenting a broad range of his work), his new album The Latest Research from the Department of Electrical Engineeringmay come as a noisy surprise.

Created entirely from electrical sound sources that are fiercely mixed and meant to play LOUD, this has nothing much to do with his gentle ‘world-ambient’ output. In his catalogue it is loosely connected to the two “Spherics” released, that also contained strictly electronic music. But it’s different in sound and in using thumping industrial beats.

Vuvuzela Stretch Mix

Ever since I heard Pink Floyd’s processed recording of a stadium singing (on ”Fearless”, from 1971’s “Meddle”), the sound of a mega-crowd organism fascinates me as well as the mass hysteria behind it frightens me.

In fact, I really HATE football, but the 2010 World Championship brought a new fascinating phenomena: the Vuvuzela.

The deafening sound (over 125dB, which is louder than a chain-saw) is dreaded by many for its annoying sound and danger of deafening.
Still, a stadium with thousands of these horns honking continuously is a fascinating sound, which I would love to hear properly recorded (in full surround, preferrably).

So, when someone posted a link to a short sample from the US-UK match, I simply could not resist….

Toshimaru Nakamura – Egrets

The Samadhisound label, founded and curated by David Sylvian, simultaneously released three impressive titles. Together they present a landmark of the current experimental/electronic/ improv scene.
Be prepared: none of these albums are ‘easy listening’ music – in fact, a lot of this music wouldn’t even be considered ‘ambient’.

Next to David Sylvian, it’s Arve Henriksen linking Toshimaru Nakamura‘s album to that of Jan Bang.
However, Henriksen’s trumpet handling is quite different here: it includes the sound of the instrument itself (like the clicking of the valves), as well as the breathing of the player.
This perfectly fits the music of Toshimaru Nakamura – who is a household name in the Japanese onkyo (noise) and improv scene.

Akira Rabelais – Caduceus

The Samadhisound label, founded and curated by David Sylvian, simultaneously released three impressive titles. Together they present a landmark of the current experimental/electronic/ improv scene.
Be prepared: none of these albums are ‘easy listening’ music – in fact, a lot of this music wouldn’t even be considered ‘ambient’.

If I would compile a list of all time favourite albums, Akira Rabelais’ Spellewauerynsherde (also released on Samadhisound) would definitely end up in the highest regions. 
Thus, expectations were mile-high when SamadhiSound announced the release of a new Rabelais album called Caduceus.

Bjarni Gunnarsson – Safn

Recently, someone told me that it’s virtually impossible to get an ambient music album released, while on the other hand labels fall over each other in their enthousiasm to release a new noise title. 
(Note we’re talking about physical releases here, not about netlabels!)

To be honest, I can’t say I’m much of a noise addict. There’s hardly any good opportunity to play it at home (without tough family protests),  and I was not particularly enjoying most ‘noise-for-noise sake’ live performances I’ve seen.

But on this recent release, Bjarni Gunnarsson (born 1980, in Iceland as you can probably guess by his name), explores both ambient and noise music at the same time – crossing the borders with a stunning result.