Chris Dooks with Machinefabriek – The Eskdalemuir Harmonium


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When hearing the first notes of The Eskdalemuir Harmonium” by (Scottish) composer Chris Dooks – created together with Machinefabriek – and reading the album’s liner notes, one thing is very clear: a Harmonium is a strange and fascinating instrument.

“If it sucked air past its reeds it might be called a melodeon but this one blows, so it’s a harmonium. In a harmonium, the more notes in your chord, the faster you have to pedal, the quicker you reach exhaustion. Also, the more notes in your chord the quieter it becomes and only pedaling much faster will keep up the volume.”

“Accumulated dust causes constriction of the tubes, narrowing the airways like an asthma attack. Keys can stick, as can internal mechanics. Things can snap off, rupture. A lung can collapse or be torn open.”

“I catch myself assigning human properties or illnesses to it, calling it arthritic and asthmatic. It can also be grumpy and stubborn depending on the weather.”

Mendel Kaelen – The Tragedy That Drowned Itself

In december 2010, dutch composer Mendel Kaelen surprised me with his impressive electro-acoustic music on “Remembering What Was Forgotten”.

His new album (his second full-length) The Tragedy That Drowned Itself” is the debut release of a new UK/NL record label called Sineszi, aiming to publish contemporary electro-acoustic music and sound art.
And quite a promising start that is!

This beautifully coloured digipack release (also available as a fairly priced digital download only) reveals intriguing sounds that are very enigmatic – especially since there’s no mentioning of their origin in the liner notes of the album itself.