site info


Fabio Perletta * Simon Fisher Turner * Mayforest

Ichinen

Ichinen

FABIO PERLETTA – ICHINEN 一念

The 一 (one) and 念 (thought) in the title refer to the shortest possible unit of time known as a principle of Zen practice: “a point of time which has neither the past nor the future.. “. The moment “where eternity cuts into time”, which exactly correspondents to what is know as Satori, which “takes place when consciousness realizes a state of one thought.”

That are some thoughts to ponder on for a while – and for that pondering Fabio Perletta provides a perfect soundtrack. Three untitled tracks (totalling 48 minutes – but put it on repeat and you can take all the pondering time you need).

On this album, Fabio Perletta explores the “emotional states experienced before, during and after a very long awaited trip”. The three different pieces are created using location recordings from Tokyo, Takayama and Kyoto, all heavily processed to unrecognisable abstract soundscapes using computer, feedback, magnetic tape and digital and ‘irreversible‘ sound processing.

Musique Concrête for the mind? In fact, words fail to describe it describe because “Zen does not follow the routine of reasoning, and does not mind contradicting itself or being inconsistent.”
Just listen. And try to look for that exact moment of ‘one thought’.

Ichinen 一念 is a digital-only release.


Giraffe

SIMON FISHER TURNER – GIRAFFE  Also on Spotify

From the very first cut-up fragments op Into Bush it’s clear that this is going to be an amazing journey. Simon Fisher Turner – composer, actor, sound designer – took his relatively simple recording devices (Roland Edirol R-09 and iPhone) around the world (Berlin, Lake Biwa, Cambridgeshire, Hammersmith, River Thames, Tokyo, Porto, Andalucia) and mashed all kinds of location recordings into kaleidoscopic tracks that ‘blur the line between sound design and song, machine severity and narrative sentimentality’.

There are amazing sounds heard in every direction, but they are kept together by the layered electronics, morphed into augmented field recordings.
Images of non-existent worlds, created from blended and altered every day sounds: “a sonic landscape where musical and non-musical elements are placed on a level hierarchy.”

Slight Smile is a spoken word poem by Emma Smith, adding to the psychedelic dreamlike visions of this album, ultimately dissolving into the incromprehensible realms: 
“You are the leader, and I wore funny clothes. We travelled together, and I wore leather. Lovely backstage photos…”

Travelling together is the key to this album. Travelling, and sharing the amazement and excitement of unexpected encounters…

One question remains… why the Giraffe’?
The fata-morgana-like cover image of a giraffe’s shadow looks nothing like an earthly creature, but it still is. It’s an altered image, in the same way the life sounds on this album are altered images of the world surround us.


SIMON FISHER TURNER – SAVE AS


Mayforest

MAYFOREST – MAYFOREST

The cover design and ASCII-art track titles like –∞–––––∞– or ––(–––––)–– may suggest the analytical kind of sound resembling the analytical Raster-Noton approach: mathematical more than emotional (though that’s always a subjective matter of course). But even in the first minutes of the opening track it’s clear that this is a misconception: Mayforest presents an organical ambient sound with many acoustical (-sounding) elements.
Mayforest’s music is definitely more ‘human’ than the package might suggest.

Mayforest is Christian Maiwald, living in Berlin and Szczecin (Poland).
There’s not much information on the background of his music, apart from the fact that there’s “no lute and no 808”.

The tracks are presented in order of their production date, because  Christian “likes to see where things lead me.” Wherever that may be, it’s a promising path, passing many enjoyable soundscapes in a strikingly original instrumentation.

At moments, the sound is not unlike that of the Stars of the Lid, and you might also hear elements reminiscing Bersarin Quartett….
Namedropping of course, just to give  an idea about some of the Mayforest sounds you can expect on this ‘off-radar’ album definitely worth checking out.

Tagged , , , , , , . Bookmark the permalink.

site info


Mind Awake, Body Asleep (Mix)

Mind Awake, Body Asleep

The moment I heard Rami Malek whisper “You lie in bed and repeat this mantra in your head: mind awake, body asleep” (Mr Robotseries 2) I knew this would be the inspiration for a new mix.
A mix about half-sleep, lucid dreaming impressions… ungraspable images… and about “letting go”.
After all, Mr. Robot’s tagline was “Control is an Illusion”.

Control proved to be an illusion indeed, with these different, unrelated, fragments coming together like pieces of a puzzle, creating a mix “like its own cinematic score.” (H_C)

So let go, indulge yourself in this mix, and leave control to wherever the sound takes you.
But (as is this is not one of those ‘feel good, sleep well’ mixes) be sure to keep you mind awake at all times!

This mix was created for – and is co-hosted on – Headphone Commute – for which I am very very grateful!

“Peter van Cooten’s intricate storytelling with his favorite piece is the precise definition of a true curator. But it’s not just a collection of sequential tracks that makes a mix from PvC a transforming experience, it’s also his multi-layered approach to weaving in the dynamics and textures of individual compositions that truly create a brand new one, disabling your mind from peeling apart the individual pieces (see below the screenshot of the entire sequence). The mix becomes an event of itself – one that I am honored to share with you.”

Thanks, H_C,  for the helping in spreading lucid audio-dreams ! 

 

Mind Awake... sequence

 

Playlist

start time – fragment length – Artist – Title
Album Title, Year, Label Details

  • 00:00 00:53 Tom Tykwer, Johnny Klimek, Reinhold Heil – Sloosha’s Hollow
    Cloud Atlas OST, 2012, Sony Classical 88765411202
  • 00:20 00:30 Rami Malek – Mind Awake, Body Asleep
    Mr. Robot, 2016
  • 00:50 02:02 Gideon Wolf – Disquiet
    Year Zero, 2016, Fluid Audio 038
  • 01:31 01:38 Kenji Kawai – Ghosthack
    Ghost in the Shell OST, 1995, RCA BVCR-729
  • 02:41 02:08 DirigentThe Perseids (Naviarhaiku 137)
    3 Years of Naviar Haiku, 2017, Naviar, Bandcamp
  • 04:11 01:22 Olivier AlaryXi
    Fiction – Non-Fiction, 2017, 130701 LP13-24
  • 05:14 02:19 Mayforest – –––––––
    Mayforest, 2017, Bandcamp
  • 07:13 03:00 Daniel WJ MackenzieAbandonment I (Moon Phase)
    Every Time Feels Like The Last Time, 2017, Eilean Rec 048
  • 09:35 02:59 Sij – Floating Clouds
    The Time Machine, 2017, Cryo Chamber CRYO 057
  • 10:08 00:26 Rami Malek – Mind Awake, Body Asleep
    Mr. Robot, 2016
  • 12:02 02:32 BJ Nilsen – Twenty Four Seven
    Eye of the Microphone, 2013, Touch TO:95
  • 13:10 02:19 Visible Cloaks – Wintergreen
    Reassemblage, 2017, Rvng Intl. RVNGNL37
  • 14:54 02:03 Stéphane Roy – III
    Migrations, 2004, Empreïntes Digitales IMED 0373
  • 15:57 01:10 Simon Fisher Turner – Burnt In
    Giraffe, 2017, Editions Meg EMEGO 231
  • 17:01 03:01 Max Richter – Morphology
    Three Worlds: Music From Wolf Works, 2017, Deutsche Grammophon 00289 479 6952 GH
  • 19:13 02:44 Angelina Yershova – Intermezzo 80 Hertz
    Resonance Night, 2017, Twin Paradox TPR004
  • 21:30 01:37 Gideon WolfNoise
    Year Zero, 2016,  Fluid Audio 038
  • 22:11 03:06 James MurrayAllways
    Killing Ghosts, 2017, Home Normal homen091
  • 24:40 02:47 Alva Noto – Gulf Night (For Peter Roehr)
    For, 2006, Line LINE_026
  • 25:49 02:17 Mario Batkovic – Desiderii Patriae
    Solo, 2015, Veruston VTR002 (2017: Invada INV16LP)
  • 27:07 04:00 J. Peter Schwalm – Endknall
    The Beauty of Disaster, 2016, RareNoise Records RNR059
  • 30:08 03:51 Abul Mogard – Tumbling Relentless Heaps
    Works, 2016, Ecstatic ELP020
  • 32:38 02:59 Lawrence English – Somnambulist
    Cruel Optimism, 2017, Room40 RM470CD
  • 34:43 01:54 Penjaga Insaf – Keinsafan
    Sama Sadja, 2010, Power & Steel PAS 27
  • 35:27 01:21 Olan Mill – Alve
    Orient, 2017, Dauw d21
  • 36:23 02:34 Jeffrey Roden – Threads of a Prayer
    Threads of a Prayer Volume 2, 2017, Solaire Records SOL1004
  • 38:50 01:40 Jóhann Jóhannsson – First Encounter
    Arrival OST, 2016, Deutsche Grammophon 4796782
  • 39:57 01:49 Adam Bryanbaum Wiltzie – They Dream Of More
    Salero OST, 2016, Erased Tapes Records ERATP091CD
  • 40:23 00:14 Rami Malek – Mind Awake, Body Asleep
    Mr. Robot, 2016
  • 41:32 01:22 The Future Sound of London – Exerting Force or Influence
    Environment Six, 2016, fsoldigital CDTOT 70
  • 41:54 02:14 Andrew Wasylyk – Ghosts of Park Place
    Themes for Buildings and Spaces, 2017, Tape Club Records TAPCLB083
  • 42:43 02:57 Elegi – K-141
    Bånsull, 2017, Dronarivm DR-43
  • 44:43 03:02 DødsmaskinHeksetimen
    Fullstendig Brent, 2017, Malignant Records TumorCD104
  • 45:46 03:22 FM3 – Dui Xiang
    Ting Shuo, 2014, self-released CN-M69-14
  • 48:28 02:13 Scott Walker – Dream Sequence
    The Childhood of a Leader OST, 2016, 4AD CAD3620CD
  • 49:31 00:15 Rami Malek – Mind Awake, Body Asleep
    Mr. Robot, 2016
  • 50:00 03:47 Seabuckthorn – Passage of Old
    I Could See The Smoke, 2016, Lost Tribe Sound LTS-024
  • 53:07 01:50 Fabio Perletta – Ichinen Pt. 1
    Ichinen, 2017, Line LINE_085
  • 53:26 06:33 Olivier Alary – Epilogue
    Fiction – Non-Fiction, 2017, 130701 LP13-24

 

Download Mind Awake, Body Asleep Now 140 Mb (60:00 min.)

[Surround-version (DTS.Wav) here]

Or: Stream in on Mixcloud:

 

Tagged , , , , , , , . Bookmark the permalink.

site info


DreamScenes 2017 – 5

DreamScenes Logo

The monthly editions of DreamScenes were never meant to present strictly ‘ambient’ music only. I prefer to merge different – though somewhat related – styles that share a dreamy, introvert, reflective, melancholic atmosphere (or whatever you would like to call it).

So, for this May edition, you can expect a bit of contemporary classical, a bit of piano, a bit of jazz , some drones and  (0f course) some ambient soundscapes too, to bring you a small hour of quiet dreamscenes  when needed.

Keep on (day)dreaming:

tracklist:

  • 00:00 DreamScenes – Intro (Susanna)
  • 00:37 Justin Walter – Unseen Forces
    Unseen Forces, 2017
  • 06:34 Jeffrey Roden – As We Rise Up
    Threads Of A Prayer, Vol. II, 2017
  • 13:41 Mari Saino – Souls From The Past
    Wind Whispers, 2017 (t.b.a. – june)
  • 18:15 Ryuichi Sakamoto – Solari
    Async, 2017
  • 21:48 Lorenzo Masotto – Repeater
    Aeolian Processes, 2017
  • 26:14 Mayforest – –––÷–––
    Mayforest, 2017
  • 33:11 Gavin Miller – A Brief Flicker
    Illuminate, 2017 (t.b.a. – may)
  • 43:55 Nick Webb – Frozen Veins
    Music For Severn Sirens, 2017
  • 48:05 High Plains – Black Shimmer
    Cinderland, 2017
  • 52:04 Daniel W.J. MacKenzie – Abandonment II (Twenty Five Years)
    Everytime Feels Like The Last Time, 2017

Tagged , , , , , . Bookmark the permalink.

site info


Juha-Matti Rautianen * Bing Satellites * Bethan Kellough

Juha-Matti Rautianen

Juha-Matti Rautianen

JUHA-MATTI RAUTIANEN – THE ENDLESS NOW – MUSIC FOR STAGNATION

Sometimes Art flourishes on imposed restrictions.
Finnish bass-player Juha-Matti Rautianen can tell you all about this: he cut the tip of his right index-finger in an accident on New Year’s Day in 2014. Pretty disastrous for a professional bass-player playing over 15 years on stage and in various bands and various genres.

But Rautianen obviously is a man who doesn’t accept limitations – instead he took up the challenge: composing and performing live ambient music with his primary instrument, using an array of effect pedals.
“My accident gave me the opportunity to examine the aesthetic of focusing on the present – the moment right now. “

“I think the most intriguing music is born when you set limits to yourself” –  I can almost imagine Brian Eno’s smile affirmative here.
The limitation is not only his broken hand, but also the instrument: a bass guitar is not often the instrument of choice for ambient music. “I tried to use my bass guitar as unorthodoxically as possible.”
The result: a refreshingly imaginative, ‘mindful’ album.

But please: do not read this as an invitation to break your fingers or otherwise hurt yourself… It’s better to remember this advice from Eno’s ‘Oblique Strategies“: “Honor thy error as a hidden intention”

Also on Spotify


Bing Satellites

BING SATELLITES – EXTENSIONS OF REALITY

Let’s discuss ‘prolific’…. The artist known as Bing Satellites (real name Brin Colemanhas produced over 61 albums since 2015 under this name – and that’s not counting the releases under different aliases like Blocker, Ghost Harmonics, The Ambient Visitor, The Lovely Moon and probably more.
I can’t say I’m really familiar with all of his work, so Extensions of Reality is a fairly random pick – especially when considering that another eight titles were releases (at time of writing) after this particular one from December 2016.

That said, Extensions of Reality is a fine way to start exploring Bing Satellites‘ catalogue; especially since the download version is a Name Your Price release,
The music on this album is heavily inspired by Brian Eno’s generative music concept, sometimes you even hear fragments reminiscing Fripp & Eno’s heavenly guitar loops. The three king tracks are built from improvised layers, generative loops with slightly different lengths, so the output is different each time: “they interact in ways that could not be foreseen.”

Indeed: think Music for Airports.

So completist collectors: beware!
Think again before you start listening to this album: there may be no way back from checking out many many other releases.
(But then again: most of the Bing Satellites releases are available as a Name-Your-Price download.)



Bethan Kellough - Aven

BETHAN KELLOUGH – AVEN

Touch label release from last year’s august that I missed somehow but still want to recommend to those that missed it too.
Reading Aven‘s liner notes it’s clear that field recordings are the main ingredient here: recordings made in Iceland and South Africa. The impressive rumbling sound of ‘underground geothermal activity escaping to the surface through a small shaft’ gave the album it’s title: such shafts are called ‘Aven’.
But by augmenting the field recordings with various drones and melodic violin passages,  Bethan Kellough transforms the recordings into a symphonic fantasy, imagining entering unknown underground environments.
If you want to hear one example of how environmental field recordings can be turned into a full-featured symphony, try Aven

Bethan Kellough (a.k.a. Bethan Parkes) got the PhD in Sonic Arts in 2015 at the University of Glasgow. She is researching “immersive sound-worlds, spatial aesthetics and the interactions between sonically and visually articulated spaces”,  her music “inhabiting the boundaries between music and sound design”.

Aven is her debut album release – a live recording, recorded in April 2016 in Los Angeles as part of the Touch Conference.

Also on Spotify

Tagged , , , , , , , . Bookmark the permalink.

site info


Dronezzzzzzzzzz

AS606

Lineeleh

ELEH & RICHARD CHARTIER – LINELEH I Also on Spotify, LINEELEH II Also on Spotify

Starting this drone edition with the two versions of Lineleh means we’re immediately diving deep into the most minimalist of drones. Richard Chartier and Eleh (personal information remains enigmatic, despite his/her impressive output… which was an inspiration for brainwashed as well as Noise Parkworked together in 2015 and 2016 to refine this drone celebrating their fascination for micro-nuances.

The micro-nuances best reveal themself with headphone listening, although quiet amplification is also recommended. This is deep listening material, not many people will listen to these long-form drone pieces with continued concentration. But that is not the issue: on ‘quiet amplification’ it is as ignorable as it is interesting – and isn’t that the original definition of ambient music? The kind of sounds that merge with the sounds of your own environment, altering the atmosphere to match with your own state of mind.

Lineleh is released in two separate versions: a 73 minute version and a 128 minute version. Though the first version would have fitted on a CD, both editions are digital-download only.

II is not simply a stretched version of Ithere’s a distinct difference in the two pieces – although they may use the same basic sound material.
is a drone piece in the truest, most minimal possible way, reminiscent of some of the work of Eliane Radigue.
II
 explores the micro-nuances, isolating some of its parts and zooming into it with microscopic detail.
In the first 30 minutes of II, there’s a faint yet distinctive whoop sound, something like the start of a loop sample, introducing a ‘rhythm’ to hold on to. A strange artefact, unusual to this kind of drone sounds, which does not seem to be present in the version. But when it finally disappears, the dive feels even deeper than before.

These two versions should definitely be regarded as pieces on one single album, even though they are available separately. It’s not either/or, but it’s a three-hour-and-twenty-one minute trip through “distinct floating durational interactions through slowly shifting waves.



Yann Novak Surroundings

YANN NOVAK – SURROUNDINGS

Also released on the Line Imprint label is this 29 minute dronescape by Yann Novakoriginally created as a sound performance for the Soundwave Biennal in San Francisco. Is is a symbiotic mixture of field recordings captured in the Golden Gate Park and synthesized sounds representing the architecture of the de Young Museum.

As expected, you can leave it up to Yann Novak to come up with a beautiful, “deep and meditative listening environment” that has the same effect as a revitalizing power nap: a 30 minute dive into eternity.


Radboud Mens En Matthijs Kouw

RADBOUD MENS & MATTHIJS KOUW – 1

The basic motto for this album is a quote from John Cage: “If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.”
This is especially true when listening to what we call drone music.
If you listen to drones at the wrong moment, for the wrong reasons, without the right mindset or intention, you might dismiss it as boring. And it may very well be boring – but it is intentionally so.
If you surrender yourself to the sound, immerse yourself it, can be receptive to its many details, it opens up a world of timeless wonders. Miraculous waves of sound interacting with your body, your location, your hearing, your perception.

Radboud Mens and Matthijs Kouw have previously worked together, exploring all kinds of experimental electronic music. Their collaboration for this album is the first of a two-part album, recorded live in the studio in December 2014. This edition presents two minimalistic electro-acoustic drones, created using software, recordings of acoustic instruments and a modular synth.
The tracks, each around 20 minutes, are effectively called “F” and “A”. The start of each piece is like adjusting to a tuning fork. Once you’re tuned to the basic sound you can simply wait for the variations to start happening.

The funny thing is: it never gets boring, not even after 2 x 20 minutes.
So, if you want to test Cage’s statement, you’ll have to put it on repeat!


David Fyans - Trübhand

DAVID FYANS – TRÜBHAND

David Fyans previously recorded as Erstlaub, but currently releases his work under his own name. The (German) title roughly translates to something like ‘cloudy hand’ –  a reminder of a period David (of Scottish origin) and his wife were living in Bad Zwischenahn, north Germany.
‘In exile at the time, as a result of untenable UK visa policy’.

“The absolute flatness of the area was further adding to my homesickness and feeling of isolation.”

The two tracks, called (Left Hand) and (Right Hand), were recorded as two separate live performances, using a relatively simple setup: a small case of eutorack modules, a mixer and a couple of guitar pedals. They re-create a foggy state of mind, “feelings of occluded emotion, dullness and slowness of mind…”

“At night, in the alien darkness, I would close my eyes and rend the landscape. I would summon great mountains, pulling up grassy slopes that gave way to jagged cliffs, dragging down the clouds to create negative space.”


Martijn Comes - Interrogation of the Crystalline Sublime

MARTIJN COMES – INTERROGATION OF THE CRYSTALLINE SUBLIME

Martijn Comes is a Dutch composer specialising in new media, sound design and electro-acoustic composition. His hour-long deep-drone piece Interrogation of the Crystalline Sublime was published on the spectacular Drone Cinema 2015 Raspberry Pi (!) release – the kind of gem every dronehead will probably dream of, but with a price tag only few can afford.

So it’s a good thing that the Moving Furniture label decided to reissue this piece in a 2-CD version (ánd digital download of course): CD1 containing the hour-long Interrogation by Martijn Comes, and CD2 containing 8 remixes of that piece by Scant Intone, Mitchell Akiyama, Zeno van den Broek, Alberto Boccardi, Haarvöl, Juan Antonio Nieto, Giulio Aldinucci and Orphax. 

Comes describes his work as ‘livingroom music’ (possibly distinguishing itself slightly from Erik Satie’s ‘Musique d’Ameublement’ (Furniture Music), which was meant to be played by live performers).
He set out to “write a piece that is equally meditative as it is harmonious and melodic, or at least it would hint at large subtle progressions of harmony, in a way that is magnetic to the imaginations, while the body remains in a  meditative, relaxing state.”
It’s an immersive drone, with hints of a shore in the background, that gradually grows intense and inescapable in its first half and then gradually recedes again.

It is not often that drone material like this gets remix treatments by different artists, so it’s interesting to hear what other artists do with sonic material like this.
Some of the remixers focus on the drone aspect, emphasizing different frequencies thus altering the overall feel. Others filter out artefacts (which can hardly be heard in the original), or add their own material to create abstract electro-acoustic compositions that hardly seem related to the original. Some focus on emotional aspects, others take a more analytic approach. Most of them venture into sonic extremes, thus losing some of the ‘livingroom’ aspect of the original.
But each one of these remixes sound completely different – like if they were original compositions in the first place.


Orphax Dream Sequence #3

ORPHAX – DREAM SEQUENCE #3

With the exception of Lineleh, all releases mentioned above are released on the Moving Furniture Records label, curated by Sietse van Erve alias OrphaxSo it’s only natural to include his own release here (which is not released on his own label but on Taâlem by the way).

Van Erve is a dedicated admirer of the music of Eliane Radigue and this shows in most of his music (as well as in a lot of the releases on his label).
Dream Sequence #3 is the third part (duh!) of a series of dreamy ambient drone pieces. Part 1 and Part 2 are available through Orphax‘s Bandcamp Shop.

Because of the limitations of the 3″ CD it is released on, it is relatively short (at least for a drone) with its 23 minutes. It’s the kind of drone that can isolate you from your surroundings (instead of enhancing it), which definitely helps to drift away into a short but refreshing dream.

Tagged , , , , , , , , , , , , . Bookmark the permalink.

site info


DreamScenes 2017-4

DreamScenes Logo

The April DreamScenes edition features a collection of fine tracks from recent releases – meandering from ambient dreamscapes to abstract expressionism to jazzy modern classical, overtone throat singing suites and distorted choirs…
All in one night’s dream….

Tracklist:

  • 00:00 DreamScenes – Intro (Susanna)
  • 00:48 MayForest – -)(-
    Mayforest, 2017
  • 04:43 Olivier Alary – Epilogue
    Fiction – Non-Fiction, 2017
  • 10:57 Christopher Chaplin – Je Suis Le Ténébreux (Tim Story Remix)
    Deconstructed (Remix EP), 2017
  • 14:50 High Plains – Ten Sleep
    Cinderland, 2017
  • 17:55 Jacaszek – Love
    Kwiaty, 2017
  • 20:11 Tobias Hellkvist – Where No One Can Hear You
    Forest Psalms, 2017
  • 24:28 Olan Mill – Molanret
    Orient, 2017
  • 31:54 Second Woman – 05 ////\
    SW, 2017
  • 35:50 Simon Fisher Turner – Save As
    Giraffe, 2017
  • 36:40 Hauschka – I Can’t Express My Deep Love
    What If, 2017
  • 39:50 Enabl.Ed – To My Daughter
    Tipsy Haux 2.0, 2017
  • 44:17 Lorenzo Masotto – A Tree In The Snow
    Aeolian Processes, 2017
  • 47:30 High Plains – Blood That Ran The Rapids
    Cinderland, 2017
  • 50:46 Phonothek & Cities Last Broadcast – Last Melody
    Red Moon, 2017
  • 55:41 Olan Mill – Alve
    Orient, 2017
  • 58:00 Ocoeur – Crystal
    Touched 3, 2016

Tagged , , , , , . Bookmark the permalink.

site info


Banabila Exclusive: Dissolve (Free Download)

Installation View

MICHEL BANABILA – DISSOLVE
(AMBIENTBLOG EXCLUSIVE!)

Ambientblog is very proud to present this exclusive download from Michel Banabila: a 38 minute soundscape created for Gerco de Ruijter‘s installation called Dissolve

Dissolve  is an installation by landscape photographer and filmmaker Gerco de Ruijtershowing landscape images filmed in the Alamosa Valley, Colorado, near the Great Sand Dunes. The shore of the mountain lake is shown in time-lapse images of one full day, from early morning darkness to nightfall, comprised into 4 minutes.
Using animation technique, the reverse image is added, so the mirrored landscape changes position with the real at about three-quarters of the movie. From there, the next sequence starts in mirrored mode until it is swapped into its original mode. This way, the images are shown in endless succession.
The landscape and its mirrored image are tilted 90 degrees, so ‘form and landscape are interwoven in a poetic, abstract experience‘.

Dissolve was premiered on the Holland Animation Film Festival (HAFF) in March 2017, as part of the Expanding Animation exhibition, presenting installations that combine animation, film and fine arts.

Dissolve   Dissolve   Dissolve   Dissolve
(click images for full size)
 

Because the tilted landscape image is detached from its natural context the eight minute installation can induce a meditative state which is deepened by the soundscape Michel Banabila created especially for this installation. The length of the film (8 minutes) is different from that of the soundscape (38 minutes), so the soundtrack is slightly different with every iteration of the loop.

Banabila‘s Dissolve soundscape reminisces some of Brian Eno’s generative works: repeating notes that appear at irregular intervals, embedded in multi-layered drones and deep rumbling sub-bass sounds. Indeed: ‘music that is as ignorable as it is interesting.’ It’s a soundscape one can lose itself in, an atmosphere enhancer that can be put on repeat – and thus it’s a perfect companion to De Ruijter’s detached landscape stills.
One could argue that this is not a ‘characteristic’ Banabila piece: he never before, to my knowledge, released a full-album-length ambient piece like this. (Until now, his X-Rated Manggha Mix was the longest ambient track with its 18:24 minutes).

It seems Banabila feels at home in whatever style he choses: in his works for films, dance and theatre, his more ethnic oriented collaborations, his present day focus on more experimental electronics, ánd in long-form ambient soundscapes.

The Dissolve installation is not the first time that Gerco de Ruijter and Michel Banabila worked together: many of Banabila‘s album covers are graced with stills from de Ruijter‘s aerial landscape photography. Floatand the recent Sound Years  are fine examples.
They also produced various other film and installation pieces together, like Crops, Grid Corrections and Ringdijk/Dike-Ring.
(An overview can be found here on this Banabila Blogpost)

Dissolve   Installation View
 



MICHEL BANABILA – DISSOLVE

Download Dissolve-FLAC (286MB)

Download Dissolve-MP3 (94MB)

This download contains Banabila‘s 38:30 version of Sound for Dissolve, and includes stills from the original video installation by Gerco de Ruijter. 

Please note that this download is intended for personal use only.
For non-personal and/or commercial use such as radio-broadcasts, soundtracks or any other kind of publication, please contact Michel Banabila (music) or Gerco de Ruijter (video stills) first.

Tagged , , , , , , , , . Bookmark the permalink.

site info


DreamScenes 2017-3

DreamScenes Logo

DreamScenes for March:

Music for the end of winter….

Tracklist:

  • 00:00 DreamScenes – Intro (Susanna)
  • 00:38 Olivia Louvel – Good Queen Bess
    Data Regina, 2017
  • 04:20 Angelina Yershova – Intermezzo 80 Hertz
    Resonance Night, 2017
  • 08:16 High Plains – Song For A Last Night
    Cinderland, 2017
  • 12:54 Teleferick – Lumen Reign (Teleferick Reworks Illuminine)
    Sixteen Frames (2003-2013), 2017
  • 16:14 Abul Mogard – Desires Are Reminiscenses By Now
    Works, 2016
  • 25:00 Ceeys – Hover, Over, Me
    Concrete Fields, 2017
  • 30:26 Visible Cloaks – Terazzo (ft. Motion Graphics)
    Reassemblage, 2017
  • 33:35 José Silva – Does It Get Easier
    Modulated Tones No. 1 – Music For Framed Works, 2017
  • 37:11 Pjusk – Xue (Feat. Shao)
    Syklus, 2016
  • 42:40 Loess – Bowhead
    Pocosin, 2017
  • 44:53 Artists For Oona – Alpenglühn – Darren McClure Stem
    AlpenOO, 2017
  • 48:48 Masayoshi Fujita & Jan Jelinek – Parades
    Schaum, 2016
  • 57:57 Dead Light – The Ballad Of A Small Player
    Dead Light, 2016

Tagged , , , . Bookmark the permalink.

site info


DreamScenes 2017-2

DreamScenes Logo

Music for the last days of Winter….

The february DreamScenes edition may feel darker than usual.
Possibly due to the dark winter days or, perhaps,  the general darkness of current times.
But don’t worry: there’s a sweet surprise at the end. So keep listening!

Tracklist:

Tagged , , , , , . Bookmark the permalink.

site info


Yann Novak * Triac * Mytrip

Mytrip Filament

Ornamentation

YANN NOVAK – ORNAMENTATION

On his very first physical release on the Touch label, Yann Novak “continues his investigations of presence, stillness and mindfulness through the construction of immersive spaces, both literal and figurative.”

The title of this 49 minute soundscape refers to a 1913 manifesto of Adolf Loosarguing that “the proper and moral evolution of Western culture depends in part upon the removal of ornamentation from daily life”,  because “the desire to adorn architecture, the body, objects etc. is a primitive impulse.”
Loos 
equated ornamentation with the degenerate – an interesting viewpoint to ignite a heated conversation in a contemporary tattoo-shop on a saturday afternoon, I guess.

For this composition, Novak carefully selected poor quality field recordings from his archive. “Difficult sounds”, low fidelity smartphone recordings, full of awkward interruptions and problematic frequencies.
This selection forced him to approach the material in an entirely different way: “the familiar, reductive approaches would fail to be useful and ultimately abandoned in favor of more dynamic, additive and laborious processes.”
The result is ‘an adornment of time itself: a meditation on beauty, labor and aesthetics’. 

Is this an ‘ornamented’ drone? Or are the original recordings stripped of their inherent ornamentations?
It’s impossible to say. One wonders what Adolf Loos would have to say about a recording like this .

Also on Spotify


Triac Here

TRIAC – HERE

Third Triac album by the trio consisting of Rossano Polidoro (ex Tu’M, laptop), Marco Seracini (piano, synth) and Augustus Tatone (electric bass), and their second release for Richard Chartier’s Line label: the follow-up of last year’s Days.

Though their music is constructed in an entirely different process, the result is reminiscent of that of William Basinski in its repetitive use of short melodic fragments with an almost hypnotic result.
Mysterious clouds of drifting sounds, where  the sound of piano and bass is hardly distinguishable but definitely add to the complete sound palette.


Mytrip Filament

MYTRIP – FILAMENT

There’s a remarkable lot of experimental electronic music coming from the Eastern part of Europe. Most of these albums were hard to find in the old days, but with Bandcamp becoming the main distribution channel for independent artists finding this music has become much easier.
While I’ve seen many acts from – for instance – Poland, there are no names from Bulgaria that I know of. With this exception: Angel Simitchiev aka Mytrip.

Filament is physically released as vinyl and cassette, and there’s a download version, but no CD release.
The album features six multi-layered, dubby soundscapes (and three additional remixes by Ivan Shopov, Evitceles and Conjecture on the cassette version only which is 20 minutes longer than the vinyl album release).

The music can be classified as “breathing on the thin borderline of ambient, drone and dub”, but with a discerning sound palette because Simitchiev is careful to keep some harshness in his sound palette to accentuate the ‘live’ feel of the album.

Tagged , , , , , . Bookmark the permalink.