The concept of ‘negative space’ as explained by Francis M. Gri and James Murray – and healthy advice from James Murray to confront chaotic times.
Get ready for Winter with this November DreamScenes edition
From living space to outer space: immersive sonifications by Eleh (on Touch) and Marcus Schmickler (on Kompakt)
Be prepared for Jacob Kirkegaard’s “Opus Mors”: an unprecedented sound work on “four sound environments that the human body commonly will be surrounded by or exposed to in the immediate post mortem”.
Just before going into hibernation in 2020, Home Normal releases a massive set of ambient-analog-noise by Tsone, and collaboration albums from Ian Hawgood with Phil Tomsett and Stijn Hüwels
From microtonal tubas recorded in a watertank to music reflecting the celestial mechanics of eclipses: fascinating music from Microtub and Frank Makowski.
Lost Worlds and half-forgotten landscapes, in outer space or somewhere on earth, both equally fascinating. Albums by Multicast Dynamics and Halftribe.
Opposites attract: from the bright and soft combinations of Pinkcourtesyphone’s soundscapes with Gwyneth Wentink’s harp, to the dynamic speaker filling ‘careful maximalism’ of Erik Levander
Whoohoo! Celebration time: this is DreamScenes edition #60, which means it has been going on for five years now!
So for this special occasion I’ve created a special mix that, to be honest, is not very different from all previous DreamScenes editions.
Michael Bonaventure explores the darkness combining the intimidating sound of the church organ with electronics and samples *** Todor Todoroff explores various parallel universes with a fascinating array of electroacoustic and acousmatic sounds.
“Don’t despair, life goes on, just not as we know it.”
Albums from Daniel W.J. Mackenzie & Richard A. Ingram and Gail Priest.
One World, One Music. Sounds from Java,Europe, USA, Argentina, harvested and recreated by Gregory Taylor and YYYY
Almost six hours of music on two compilations supporting charity organisations (War Child and Red Cross) – curated by Fluid Audio and Past Inside The Present.
Kevin Richard Martin takes ‘intensity’ to a whole different (and personal) level *** Max Würden’s tracks came to life over a period of two years but fell together like fitting pieces of a puzzle.
Harnes Kretzer‘s EP is like a short score for a major box-office hit *** while Alio Die & Lorenzo Montaná present their musical antidote for dark times.
Orphax (Sietse van Erve) combines two different live performances of his ‘Circles’ into one dronescape *** Quest (Frans de Waard) prepares us for the coming season with Winter’s Sun.
Hanyo van Oosterom remixed the music of fellow Chi member J. (Koos) Derwort into a beautiful tribute album *** Simon McCorry’s Border Lands is a diverse and adventurous album exploring the electro-acoustic possibilities of the cello.
Finally: the physical release of the Chernobyl score created by Hildur Gudnadóttir (with Chris Watson).