Clarice Jensen * Rose Bolton * Genrietta
Clarice Jensen’s debut movie score for Ainu Mosir, Rose Bolton’s Lost Clock, and Genrietta’s memories of Moscow locations.
Clarice Jensen’s debut movie score for Ainu Mosir, Rose Bolton’s Lost Clock, and Genrietta’s memories of Moscow locations.
Marc Neys’s sound collage compiled from soundtracks for animated stills, and Ivano Pecorini’s music for the ‘Sexy Movers’ dance performance.
Kevin Richard Martin re-interprets and re-scores the soundtrack for Tarkovsky’s Solaris *** K. Leimer, Marc Barreca and Steve Peters collaborate on the second Three Point Circle album.
Ambientblog does not generally cover the bigger names in ambient music.
In my opinion, both Loscil and Murcof belong to the more well-known artists of the genre – and most of you will probably already be familiar with their new releases.
But even so, I couldn’t bring myself to skip these releases. Simply because they belong to the best you will probably hear this year.
So here’s an exception to the ‘rule’.
Sonic mountaineering with Rutger Zuydervelt (Machinefabriek) *** Scanner demonstrates the tricks from his Magician’s Hat.
An unexpected fascinating soundtrack by Kinnie Starr, a tape loop setup by Mathijs Leeuwis, and an album about the personal growth of Túrion.
Field Works recorded the ultrasonic sounds of Indiana bats and invited an array of artists to work with it *** Apparat‘s Capri-Revolution is the start of a new series focusing on his soundtracks (immediately followed by the score for Stay Still).
Five (female) composers turning environmental sounds or phenomena into sound art or a haunting soundtrack: Elbejée (Kathy Hinde & Gail Priest), Susanne Skog, Jana Irmert and AKB (Anna-Karin Berglund)
Finally: the physical release of the Chernobyl score created by Hildur Gudnadóttir (with Chris Watson).