“For me, personally, a mix has the most impact when it feels like I’m watching a movie. With ups, downs, some drama, sentiment, moment of joy, climax and anticlimax. And yes: tension and release.”
René Aquarius and Rutger Zuydervelt explore the Glass Palace * Presidiomodelo guides us into chilling Siberian (imaginary) landscapes.
Drones and Performances: Yann Novak‘s ‘The Future Is A Forward Escape Into The Past’, ‘Glass’ by Ryuichi Sakamoto & Alva Noto, and Tonaliens’ self-titled album.
A Requiem for people about to die in a plane crash, the original Twin Peaks soundscapes by Dean Hurley; and near-silent Deflections by Asmus Tietchens and Fabio Perletta
“Life can only be remembered backwards, but it must be lived forwards.”
The central piece provides the title for this mix: Solace – “Comfort in sorrow, misfortune. Consolation.”
This Fovea Hex track literally breathes consolation in every single note, so it seemed a good starting point for this mix.
It is also one of the few tracks in the mix that are included in its full length.
Even though there are quite some dark moments in this mix, I hope it may bring some ‘solace’ – if needed.
(If not needed: even better…! It still can be nice to feel a bit melancholic for a while, can’t it?)
Because of the drones, atmospheric field recordings and insect sounds, this mix will be labeled as an ‘ambient’ mix by most listeners.
And of course it is…. but at the same time it isn’t.
It simply isn’t ‘unobtrusive’ enough to be ‘ambient’.
An hour-long journey of scene changes, meandering between *Kitsch* and *Kult* – a bit more ‘psychedelic’ than ‘ambient’, in fact.
…. slowly evolving to a state of inert uniformity …. retracing information that was lost from the message … searching for the uniformity in what seems to be randomly disordered …
This mix is published simultaneously on Headphone Commute:
“You’re in for a treat!”
Enigmatic strings from Iceland, introspective disorientation, acousmatic ambient, and generative music for passive contemplation. …..
Xerrox Vol. 3 is the third part (duh!) in what is going to be a five part series inspired by the process of copying.
All three parts have their subtitle: “Old World” (Xerrox Vol. 1, 2007), “New World” (Xerrox Vol. 2, 2009) – and now Vol. 3 is labeled: “Towards Space” .
This mix is made to be published in the excellent series of mixes on the “Sounds of a Tired City”, part of the larger website with the same name.
It is published exactly on its first year’s anniversary, so it’s in fact a birthday present too!
Inspired by the site name, I decided I wanted to try to create a sonic ‘walk’ through a ‘tired’ city.
A mix with a lot of scene changes… like walking through an unknown city on a (quiet sunday?) morning – finding hidden surprises and marvels around every corner..
“Mental Health Hotline” is the second ‘collaborative dialogue’ created together with Christophe ‘Klankschap’ Ywaska.
(The first was “Both Were Moving“, 2012).
Each selection a reaction to the previous addition means the story may have some unexpected turns and views… especially with over 50 samples crammed into this adventurous hour of sound!
Be prepared for a dazzling – and possibly somewhat disorienting – joyride…
Not counting their recent collaboration “Drowning in the Sky“, with Sleep Orchestra, “Solstøv” is Pjusk’s fourth release – and their third for the 12K label.
Since their debut in 2007, the Norwegian duo (Jostein Dahl Gjelsvik and Rune Andre Sagevik) have built themselves quite an impressive reputation.
With “Solstøv”, (Sol – Sun / Støv – Dust) they don’t disappoint – to say the least!
“Dream Sequence“ starts with a rumbling distant thunder and the dripping sounds of water in a bathroom nearby. Slowly – very slowly! – drone chords set in to create a calm soothing sound. But underneath, there is the dark foreboding sound of a low register piano pulse…
“We are Snoqualmie Falls, and this is the soundtrack to our dream life. Where we’re from the birds sing a pretty song, and there’s always music in the air.”
Snoqualmie Falls – named after the scenic cascade in Washington State – is Jeff Stonehouse (a.k.a. Listening Mirror and Jffstnhs) creating the music and Alicia Merz adding her ethereal vocals.
For this mix I aimed to create a dreamlike and timeless atmosphere – dark (but not too dark). It is calm, yet there are many shifting scenes, many passing landscapes and some conflicting emotions… When it ends, (I hope) it feels as if it was much longer than it actually was …
If one of the criteria for ‘ambient’ music is that you can comfortably fall asleep to it, I guess you’d better skip this particular mix. Although it starts quiet and reassuring with soothing vocal chords from Silvestrov’s “The Lord’s Prayer”, the mood disintegrates and sometimes can become rather unsettling – depending on your own personal ‘incidental memories’, of course.
For reasons I can’t really explain, this mix works better if you listen on speakers instead of headphones – just let the airwaves flow for maximum immersion.
A museum dedicated to the ancient Egyptian art, with thirteen rooms (“fields”), divided in seven “areas”, with a 64-channel soundscape accompanying the exibition combining abstract and somewhat haunting electronic sounds with partly edited, partly montaged texts spoken from ancient Egyptian poems (with titles such as The Book of the Dead, The Prophecies of Neferti, The Teachings of Ptahhotep).
Sounds like a soundscaper’s dream, doesn’t it?
This mix was created especially for Headphone Commute.
Thanks to H_C for publishing it, and for the beautiful introduction words:
Autumn is here. Darkness slowly creeps up just a little bit earlier. Clouds get grayer and swell up with rain. Trees shed their colors and tighten their belts. And people begin to prepare for winter. But among all the shadows there’s a small ray of light. And with that glow comes the music… For today’s exclusive podcast, Peter van Cooten weaves in layers of haunting soundscapes spanning the gray-scale of the ambient universe. It’s a gorgeous soundtrack to the season of tears… I hope you will enjoy!
Over three years since the release of his impressing debut album ‘Safn 2006-2009‘ (which collected some of his earlier solo work), Bjarni Gunnarsson (from Reykjavik, also known as one half of Einóma) presents the second full album release under his own name.
The beautiful package of ‘Processes & Potentials‘ contains 7 colorful inlays, one for the cover and one for each of the six different tracks of this album.
Just like he did on ‘Safn’, Bjarni chooses his musical position wilfully, creating soundscapes that are remarkably different from most in current ambient/electronic music.