Woob – Sense – 8m2 Stereo

WOOB – AMBIENT DISASTER MOVIE
After having released two timeless albums on the now legendary EM:T label (“1194” and “4495”), Woob (Paul Frankland, also known as Max & Harvey and half of Journeyman) took some time off from making music (to work in the advertising industry) – returning in 2010 to release a string of new albums on Bigamoebasounds.

On “Ambient Disaster Movie”, the sound (sometimes referred to as ‘post-rave ambient’) is still as bright and recognisable as it was in the beginning – presented with a refreshing (tongue-in-cheek) sense of humour.

Specta Ciera; Sense; Pleq + Lauki; Ujjaya; Sequence 2

In the Shortlist sections, I will mention some of the albums that I enjoyed listening to, but couldn’t find the time (or the right words) for a “full” review for. Still, I think they deserve your attention: use the links to find more info and hear previews.

Underpass

Specta Ciera – Underpass
Specta Ciera 
is the pseudonym for sound designer Devin Underwood from Cambridge, MA. Underpass” is the latest in a line of 15+ releases combining ambient drones, field recordings and avant garde electronics. The four tracks on this (FREE) FeedbackLoopLabel release are warm, immersive and slightly dark. (In fact there are three tracks, because the title track returns in a Darren Harper mix). This great EP only scratches the surface of the compositional style and approach Specta Ciera employs, so it may be a good starting point for checking out his back-catalogue.

sense - selected moments

Sense – Selected Moments Vol. I
With his vintage synth sounds, Sense, aka Adam Raisbeck, brings back “the golden era of 90’s ambient music”. The sounds are beautiful analog, but the music itself is far from ‘retro’. The compositions are warm and nicely balanced. In Adam’s own words: It’s about selected moments of my life over the last 5 years and consequential realisations from looking at those moments individually it’s about change and growth its about opening hearts and healing. My ultimate goal is create an interface via my music whereby people listening to it will totally feel what’s happening and understand what I was feeling at the time I was making the music, it’s something that is to me – beyond-sonic.”