In the mid-90’s the multi-talented genius Bill Laswell proved that ambient soundscapes and low basslines can match together perfectly.
Still, it was some surprise for me to find Jah Wobble’s trademark low rumbling basslines merging with the cinematic ambient sounds of Marconi Union (Richard Talbot and Jamie Crossley) on their recent collaboration album “Anomic“.
In the Shortlist sections, I will mention some of the albums that I enjoyed listening to, but couldn’t find the time (or the right words) for a “full” review for. Still, I think they deserve your attention: use the links to find more info and hear previews.
MARCONI UNION – DIFFERENT COLOURS
“In the ten years of their existence, Marconi Union have released six critically acclaimed albums. Their music has featured on TV, Films, Art Installations, Ballet and various other productions. The most frequently identified strands in their music are ambient, electronica, jazz and dub. However, they draw on many other influences which subtly appear in their music.”
We wanted to create a more soulful record with a greater emphasis on structure and arrangement, whilst immersing listeners in an almost narcotic haze, in a similar fashion to Bernard Herrmann’s Taxi Driver soundtrack.”
With Different Colours, they definitely succeeded!
THE GREEN KINGDOM – INCIDENTAL MUSIC
“The heart of Incidental Music is the acoustic guitar: melodies, chords, drones, and percussive sounds sometimes used in a straightforward manner, while at other times abstracted and manipulated to beautiful effect. These minimal themes serve as an apt score to the small scenes occurring around us all the time.”
An audio accompaniment for a spontaneous still life, no matter how seemingly insignificant. Something for those stolen moments when we stop and appreciate the beauty of minutia in the often unseen world all around us.”
