Jacob Kirkegaard – Conversion


Conversion

Jacob Kirkegaard is well-known for his unusual sonic concepts, “capturing and contextualizing hitherto unheard sounds from within a variety of environments: a geyser, a sand dune, a nuclear power plant, an empty room, a TV tower, and even sounds from the human inner ear itself”.

The sounds he presents are always extremely fascinating, even when heard without knowing about their actual context – but of course it does help knowing where the sounds originally come from.

Capturing the feedback sound from a deserted Chernobyl location may not be easy. This also applies to recording interactive sounds to make the listeners own inner ear play an active part in creating the sonic end result.

But can you imagine concepts like this being translated to a performance of a string ensemble?
I couldn’t. 
Scenatet could.

Jacob Kirkegaard – Aion (DVD)

Aionis the DVD companion to Kirkegaard’s CD release “Four Rooms” (Touch, 2006).
Inspired by Alvin Lucier’s “I am sitting in a Room” , Kirkegaard recorded the sound of deserted rooms: a church, an auditorium, a swimming pool and a gymnasium.

He then re-recorded the sound played back in the same room over and over again, multiple times, until the sound of the room became a constant drone, ultimately revealing what may be the “soul” of the room. 

That is, of course, a fascinating concept in itself. But there’s another dimension to this project.

Jacob Kirkegaard – Labyrinthitis

Labyrinthitis

You can trust Jacob Kirkegaard to come up with fascinating concepts. After recording the sounds of deep earth in Iceland and those of the deserted rooms of Tchernobyl, he now turns inward to record the sound of his own inner ear, using a medical technique used to diagnose hearing problems on young children. The recorded tones of his cochlea were used to create a fascinating installation for the Medical Museion in Copenhagen – which, judging by the photos of it – was visually as attractive as it was aurally.



Jacob Kirkegaard – 4 Rooms

Jacob Kirkegaard - 4 Rooms

If you record a room’s resonation, feed back the recording into that room and record it again, and do this a couple of time so that the feedback gets stronger and stronger, will the result reveal the ‘soul’ of that room?
And will something in this ‘soul’ reveal the fact that these rooms were once busy with people (church, gymnasium, swimming pool, auditorium) but are now completely desolated?
And will you be able to hear the fact that these rooms are all located in the Tchernobyl disaster area?

This, as you may guess, is not intended as ‘easy background ambient’.  The result is not unlike some of Thomas Köner’s work – but it’s the concept that makes is almost frightening.