Brian Eno – Lux

Considering the musical background of the Godfather of Ambient Generative Music, the introductory notes for Brian Eno‘s new album Lux are extremely short.
Of course: for those interested, Brian Eno does not need any further introduction.

Compared to its two predecessors released on Warp Records, “Small Craft on a Milk Sea”  and “Drums Between the Bells”, this release is quite different. No relatively short poppy collaboration tracks this time: Lux is a slowly developing, 75 minute composition.
A return to “classic ambient” form, the kind of “music for thinking” Eno has created from the early eighties. A genre that since then has further developed and has diverted into a lot of different branches: drone, dark ambient, dance ambient, improv, soundscapes, field recordings. Each sub-genre with their own leading artists venturing into new territories.  
But, at the very root of it all, there’s only one true Master.

Brian Eno’s Generative Apps


Trope

Because I was stupid enough to leave my beloved Cowon D2 MP3-player in the train (and no one was honest enough to return it), I had to decide about a new MP3 player. 
I am definitely not an Apple fan (for reasons I will not elaborate here), but I was tempted to go for the (G3 32 Gb) iPod Touch, simply because of all the extras it has to offer besides the simple MP3 function.

The first app to go for was Brian Eno’s “Bloom” – only to discover that Bloom was recently followed up by Trope, also created by Brian Eno and Peter Chilvers.
A third offspring of this generative music applications is “Air“, containing the vocal samples of Sandra O’Neill.
The good news: obtaining all three of these apps will not even cost you EUR10 ($13)!

All three of these programs are very simple to use, but incredibly effective in its ambient beauty: start it, create a mood, tap the screen for generative seeds and then just let the composition flow…

Robert Fripp & Brian Eno – Beyond Even (1992 – 2006)

Fripp & Eno

There have been quite a few mediocre (‘fans only’) releases by Brian Eno in the last couple of years. The 2004 collaboration with Robert Fripp was a remarkable exception, and so is their collaboration sketches overview “Beyond Even (1996 – 2006)”.
I call this a ‘sketches overview’ because  it feels like that: a collection of works that sound like good yet unfinished ideas. Which does not mean they sound like second hand outtakes that should not have been released. Most of these tracks are very beautiful indeed, and do deserve a life on their own. However some of this tracks still feel a bit outdated, even a bit mushy sometimes.