Jeff Greinke * Romance & Dean Hurley
Jeff Greinke’s powerful intimacy on ‘A Thousand Year Flood’ *** Dean Hurley and Romance dissect the daytime soap genre into sonic operas.
Jeff Greinke’s powerful intimacy on ‘A Thousand Year Flood’ *** Dean Hurley and Romance dissect the daytime soap genre into sonic operas.
Three different (acoustic and neo-classical) soundtrack albums that work together very well: performed by Gideon Wolf, From The Mouth Of The Sun and Shida Shahabi.
Chas Smith performs on an array of self-built instruments *** A short but impactful soundtrack score by Clarice Jensen.
Clarice Jensen’s debut movie score for Ainu Mosir, Rose Bolton’s Lost Clock, and Genrietta’s memories of Moscow locations.
Food for thought: Simon McCorry’s solo album and his collaboration with Anthéne ***
Meditative calm in Dave Nelson’s Act of Vanishing.
Robert Moran decomposes Wagner’s Parsifal using a 12-second reverb as an instrument *** Henrik Meierkord plays his meditative ambient cello to turn life’s burden into much-needed peace.
A post focused on various uses of the cello with stunning performances by Martina Bertoni, Raphael Weinroth-Browne and Aaron Martin.
Hanyo van Oosterom remixed the music of fellow Chi member J. (Koos) Derwort into a beautiful tribute album *** Simon McCorry’s Border Lands is a diverse and adventurous album exploring the electro-acoustic possibilities of the cello.
Aaron Martin‘s soundtracks for ‘Touch Dissolves’ (a photo book by Yusuf Sevinçli), and for William Armstrong’s award winning short documentary ‘Adam’.