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Snufmumriko * Arovane & Porya Hatami

Organism Evolution



Snufmumriko is the somewhat inexplicable alias of Swedish producer Ingmar Wennerberg.
Dromböken – his third full album since 2015 – is best translated as Book of Dreams, and indeed the album breathes a dreamy atmosphere. Not the cold isolationist kind that you’d probably expect from a Scandinavian act, but a warm sound in which you can immerse yourself comfortably.

Dromböken “explores an ethereal landscape of dream where the past meets the future and joy wrestles with a sense of pain and loss.”

The warm synth washes, drones and field recordings are completed with subtle IDM and dub techno rhythms, as to keep you awake and alert. It is exactly the combination of sounds that is needed to make this album stand out from the multitude of current ambient releases.
Experiencing this Dream Book can be as refreshing as a good night’s sleep!

Organism Evolution


I don’t think a better title could have been found for this collection of tracks merging Musique Concrête with Electro Acoustic experiments.
Though each of the (23!) tracks are created using “techniques like modular synthesis, granular synthesis, spectral processing, granular synthesis, resynthesis and resonator/modal synthesis”  they manage to evoke  a feeling that you are listening to a highly amplified recording of complex organic lifeforms. It’s as if you stick your microphone deep into, say, an anthill and listen to what that sounds like (I only refer to the auditive experience, not the tactile!)

I suppose these electro-acoustic experiments are far beyond the concept of  ‘music’ for most listeners – but the detailed production creative complexities are a feast for everyone interested in (more or less complex) electro-acoustic soundscapes.

Organism_Evolution is the follow-up to Organism (released in January 2017). Both albums share (almost) the same cover art and musical concept, thus can easily be seen as one project. That is why Karl Records  also offered these titles as a 2-CD set for a limited edition, but as far as I can see this is sold out by now. But don’t let that discourage you to check out the digital version(s)!

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Andrea Belfi * Tsone * Arovane/Hatami

Tsone - Intimate Haze



Iikki releases – the physical editions – include a vinyl album as well as a hardcover art book. They are ‘the result of a dialog between a visual artist and a music artist’.
You can buy both separately: vinyl only, book only, or even a download-only if you wish… but of course you’ll miss out part of what these releases are about. Still… not everyone is able to spend €59 on the book+vinyl option, so it’s great that Iikki also offers the download option to enjoy with a video preview of the book:


Alveare is the second Iikki edition, and it presents the music of Andrea Belfi paired with the photography of ‘urban landscape explorator’ Matthias Heiderich.
I have not seen the book (apart from the video included above), but I can imagine there can be an interesting interaction when watching the images while listening to the music at the same time.
But it’s not strictly necessary to enjoy both at the same time.

This is Belfi‘s sixth solo album, not counting many other collaborative records on various labels. Belfi manages to create a unique atmosphere with his expressive yet restrained percussion and drumming style. Embedded in mysterious layers of electronic soundscapes, it somewhat reminds of legendary Can recordings. (But of course comparisons like that always fail.)

Not many ‘experimental ambient’ albums are centered around complex percussive compositions, for it is quite hard to use percussion instruments to create atmospheric music. Unless you master these instruments like Andrea Belfi does!

Tsone - Intimate Haze


I’m afraid I can’t really reveal much about this release since I don’t know very much details – apart from the fact that Tsone is an alias of Anthony (Tony) Obr.
Though there is some recent activity on Tsone’s soundcloud page, Obr‘s website updates seem to heave stopped around 2014.  
The lack of background info is a bit weird, since Discogs lists no less than 23 releases under this name (many of them self-released).
But why care about that? Music can speak for itself, doesn’t it?

Intimate Haze is released on Stereoscenica label closely related to the Ambient Sleeping Pill internet radio station.
This is an indication of what you can expect from this highly immersive ‘classic’ ambient album of ‘progressive ambient of at least 9 distinct movements between the 3 tracks – ranging from epic to mysterious, chaotic to tranquil.’



No less than 19 tracks on this album, 7 of which are relatively short interludes called Rhizome. Rhizome is a botanical term for a ‘stem of a plant, often sending out roots and shoots from its nodes…If a rhizome is separated into pieces, each piece may be able to give rise to a new plant’. The short interludes may have the same function, they are musical entities from which another composition may grow.

Uwe ‘Arovane‘ Zahn (from Berlin) and Porya Hatami (from Iran) may come from a different background, but both artist’s skills merge perfectly into an (ehhh…) ‘organic’ sound design.
They have worked together in the past (most recently on last year’s Kaziwa) – in fact, this is their fourth collaboration album!

On Organism they focus on a dark, mysterious, but extremely detailed sound – as alive and moving as nature’s finest organisms.
Organism celebrates the 10th anniversary of Karl Records from Berlin: ‘an outlet for puzzling sounds that question today’s pigeonholes of reception’. Unlike most of their other releases, this is a download-only release.

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Porya Hatami & Arovane * Offthesky

Phone to Logoa



Porya Hatami (Iran) teamed up with Uwe Zahn (Arovane) (Germany)  sharing their love for the piano in its various forms. But Kaziwa is not a solo piano album. It is the main instrument for these 15 mysteriously titled tracks, but considerable thought has gone in creating the background atmosphere.

“By stripping down the elements surrounding the main instrument, they have recorded an album that subtly resonates within a framework of restraint. Ghostly shimmers follow plaintive piano melodies, as reverberations haunt the spaces between notes.”

Kaziwa is a Kurdish word for dawn… or dusk. Which may also be the best moments to play this album. Soft as a Harold Budd album, but at the same time with an atmosphere so mysterious that it “could serve as a soundtrack for a Twin Peaks episode that never happened.”

As usual with the Time Released Sound releases, there are three editions: a download version, the standard CD release and a deluxe edition of 75.  

[Edit march 2018: this album will be re-released on n5MD records on may 4, 2018]

Phone to Logoa


Only a few months after the Kaziwa release with Arovane, Audiobulb releases another Porya Hatami album worth checking out. Especially when you’re new to Hatami‘s work, because this album is a hand-picked selection of tracks (including unreleased work) that illustrates his musical evolution over the five years since his debut release in 2012.
Phone To Logos retraces my creative process to date. Each track illustrates distinct sound palettes and aesthetics at play during different periods of writing.”

Most of the thirteen tracks are solo pieces, but there are some collaboration pieces too: such as Dawn (with Tomogotsu Nakamura), two tracks with Arovane (not included on Kaziwa), and a sneak peek into the future release with Artificial Memory Trace.

Phone To Logos is a download-only release.

OfftheSky - Transit


Originally released as a bonus download for those that bought a physical copy of Jason Corder‘s 50th release Silent Went the Seabut made available as a download after that edition sold out – which obviously didn’t take very long.
Silent Went the Sea was a combined CD + DVD release, matching each track with an accompanying video.
So is this Study: two of the Jean Piché videos (Hémisphères and Australes) are included in the download.
These videos originally contained a different soundtrack, created by Piché himself (that is why I don’t embed these videos here). But in these download version they are dubbed with the OfftheSky tracks -remixed and remastered from the original 2011 recordings. The music fits the images like a glove – showing exactly what the title promises: a Study of Light Form in Transit.

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Zahn/Hatami/McClure; Philippe Petit; Robert Crouch; Jose Soberanes

Robert Crouch


If this was still the seventies (and if ambient drone music were a major popular genre) this would’ve probably be referred to as an Ambient Supergroup. Three renowned artists from the genre working together on this new collaborative project: Uwe Zahn (probably better known as Arovane), Darren McClure and Porya Hatami.
In modern times like now, there’s no need to be working from the same studio, it’s easy to exchange sounds from their own studios in Germany (Zahn), Iran (Hatami) and Japan (McClure).

There is no explanation about the album and track titles: strange words all beginning with V. Voon, Vhaundt, Vhandaan, Veeland, Velbb.  The titles are as abstract as most of the music is:

“Melodic piano parts rise above swirling layers of granular textures and processed field recordings to create widescreen ambience. The project put an emphasis on abstract sound design merged with more emotive, tonal elements to conjure an album that reflected three sonic viewpoints as a whole.”

There is a wide range of sounds in the palette of this album. Each track has a different nature – the sound ranges from sharp, high-pitched electronics in the opening track to the soft, well-rounded sound of bowls and piano in Vhandaan. But all of the different elements are perfectly merged; the sonic personalities fit together very well.
Together, Zahn, Hatami and McClure are a team of sonic alchemists who created a very fine – pure ‘gold’ – album of abstract electronic soundscapes.

Philippe Petit - You Only Live Ice

For a release on the Glacial Movements label, it’s a fitting title: You Only Live Ice. But the interesting question remains: do you consider this ‘cold’, ‘glacial’ music (“like being entrapped within an arctic shelf…”), or do you associate it with ‘warmth’? It’s all about context I guess…

Philippe Petit
prefers to be introduced as a “musical travel agent” rather than as a composer. He has been creating experimental music since the early 2000’s and has worked with quite an impressive list of collaborators: people like Lydia Lunch, Murcof, Stephen O’Malley, Faust, Foetus, Cosey Fanni Tutti, Graham Lewis, Scanner, Machinefabriek…. and the list goes on. Most of the works in his discography are collaboration projects, true solo works are relatively rare.

You Only Live Ice is such a solo work. It’s a 43 minute piece presented in two parts: the first 9 minute are the basic piece that is de- (and re-)constructed almost beyond recognition in the second part which seems to drift further and further away from reality: “atmosphere and dramaturgy lead the ear into a suspended world…”. But at the same time the tension slowly increases to an almost breathtaking climax… like you drifted off to somewhere from where you can’t get back.

Robert Crouch

“My work always privileges the act of listening; it is rarely about performance. After I recorded these initial sessions, I forced myself to forget about their construction, to un-learn how I made them, allowing myself the opportunity to experience them as sound objects. It is at that point where my composition process begins.”

The five pieces on A Gradual Accumulation of Ideas Become Truth (six if you count the bonus track Potbelly Hill, Layer II (sanctuaries) included in the download) were all created from original studio improvisations that were recorded using a modular synthesizer as the primary sound source.

“Complex patterns were constructed, recorded, and quickly dismantled, with the intentions to use the stereo recordings as the basis for new conpositions at a later date.”

The result is a fascinating collection of minimalist drones, each referring to a specific location (or moment), that are as detached from its original source as is the construction in the cover image.

Also on Spotify

Jose Soberanes - Rising Tide

Harry (‘Spheruleus’) Towell’s Whitelabrecs is releasing a string of interesting CDR’s at a rate that is hard to keep up with. They are all released in a limited edition of 50 so chances are they are sold out quickly. Like this particular one is by now, sadly.
But the download version still remains available, so it’s still worth paying attention to this album.

Jose Soberanes is a sound artist from Hidalgo, Mexico. He has created music from various influences, including IDM, Minimalism, Modern Classical, Death Metal And Jazz – but this album is presenting minimal drone pieces using acoustic and electric guitar, analogue synthesizers, static, effect pedals, tape loops, field recordings and found sounds.
“José strived to create something that would reflect his feelings of loss, anxiety and hope during what was a difficult time. These three elements form the basis of a thoroughly immersive sound environment spanning around 45 minutes with glimmers of hope flickering in and out of a wall of despair.”

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Giulio Aldinucci; Arovane & Hior Chronik; Jeremy Young & Aaron Martin; Söll

Söll - Cävv

Spazio Sacro

Giulio Aldinucci‘s soundscapes (or, as he prefers to call it: his musical research) ‘always focuses on different synthesis and on the use of field recordings‘. The pieces on Spazio Sacro (Sacred Space) are all closely related to the area where he grew up: Tuscany, Italy.
“The field recordings are taken in places that are related to the idea of ‘sacred’ in different ways. The starting point is a reflection on how human rites define new soundscapes (e.g. processions, architecture of churchesand cathedrals or ruins of isolated mountain sanctuaries).”
In a way, this album could be described as a collection of audio postcards from Italy. Or better: small details  of audio postcards, since the field recordings are heavily manipulated and moody layers of electronics are added for enhanced (sacred) atmospheres.
As with all TimeReleasedSounds releases, this album is  available in a standard edition as well as in a beautiful luxurious hand-crafted Deluxe edition (limited to 75 copies).

Arovane & Hior Chronik - In-Between


The well-respected blog A Strangely Isolated Place has also become a record label with special dedication to beautifully packed vinyl releases. After Uncharted Places and Europetheir third release is a collaboration project by Arovane (Uwe Zahn, Germany) and Hior Chronik  (from Greece).
Both artists merge their broad experience in different musical styles but at the same time keeping their focus on ethereal, orchestral and modern classical ambient music. It’s a kaleidoscopic collection, ranging from sequencer-based tracks to melodic guitar themes and all kinds of soundscapes ‘in-between’.
“Pianos, field-recordings and strings amongst modular synthesizers create a shimmering canvas of ambient music, touching the heart, and transporting you to the musical equilibrium that exists between these two good friends.”
In-Between is available as white double-vinyl in a gatefold sleeve, and as a digital download.

A Pulse Passes from Hand to Hand

On this collaboration each piece starts with a slow, lo-fi piano tape loop, immediately resembling Basinski’s work.
From there the loop is “then augmented brick by brick in fluid, stream-of-consciousness instrumental improvisation”. There is no synth or computer sound here: just the tape loops, guitar, zither, brushes, whisks, field recordings (Jeremy Young) and cello, vinyl, lap steel, bowed cymbal, bowed banjo, organ and singing bowls (Aaron Martin).
“The four repeating tape splices never quite retreat too far from the foreground, and as the textures become more and more lush, the loops seem to change their definition, adapting endlessly to the sonics around them.”

Also on Spotify

Söll - Cävv

There is not a single word without a diacritic trema on this album by Söll – alias of Jorge Pandeirada from Portugal.
This adventurous debut is released on the dutch Esc.Rec (pronounced Ass.Crack) label – a label that specializes in releasing music that defies any categorisation.
With a degree in Music Production and Electronic Music, and now studying for a master in Sond Design, Pandeirada sure knows to create some fascinating detailes (‘fine-grained’) sound sculptures.
“Listening to Cävv is like listening to the perfect soundtrack to an abstruse story, slowly unfolding. Like gliding into in the dreamworld of an abstract creature living in darkness, oblivious to light. Like probing the most placid moment of something monstrous. Like a deep reflection of consciousness.”

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