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Anjou * Hotel Neon * Olan Mill

Anjou - Epithymia

Anjou - Epithymia

ANJOU – EPITHYMÍA  Also on Spotify

Epythymía  is the follow up of the duo’s self-titled debut release on Kranky (2014). Mark Nelson (Pan⋅American, Labradford) and Robert Donne (Labradford, Aix Em Klemm, Cristal) simply pick up where they left, to further explore soundscapes that “embrace flux and ambiguity: drones swell and shudder, hushed currents of noice glitch and dissolve, atmospheres congeal and liquify.”

Four (of six) pieces take their time to slowly evolve and pass the ten minute mark; the other two are short interludes of around 3-4 minutes.

“Alternately spacious and dense” within the same track (check An Empty Bank, for example)this is an adventurous trip of “mesmeric synthetic drift and veiled melodic undertow.”


HOTEL NEON – CONTEXT  Also on Spotify

I assume regular readers are already used to the fact that this blog mainly recommends digital downloads. There’s a simple reason: many of the physical editions are already sold out by the time I have listened to the album twice. That is especially true with the releases on Fluid Audiothey often are sold out on pre-orders following an announcement in their mailing list.
If you’re a masochist and want to see what you missed here, check out this page. All others can simply focus on the digital download (or play on Spotify).

On their third full-length album, Hotel Neon (Andrew and Michael Tasselmeyer with Steven Kemner, with Lacey Tasselmeyer contributing some beautiful Eno-esque vocals on two tracks) explore a full night’s cycle: the titles of the nine tracks are all timestamps between 12:41 AM and 8:30 AM.

Night music, indeed… Music to close your eyes to.

But not necessarily ‘dark’.  That depends on the context: “arguably the only thing that gives a song its meaning in the mind of the listener.”
Context will have a unique, shifting message that can only be decoded by the listener alone, and that in turn also makes it a personal album.”

Hakobune makes a guest appearance too, dropping in around 3.04 AM.

Olan Mill Orient


There’s a statement in my policy saying that I do not review cassette-only releases unless there’s a digital download available too. So here’s a dilemma: Orient was released on march, 31 (Yes, I know I’m late to the show) in an edition of 90 and an extra 10 in a special edition package. Of course they’re sold out now.

But should I recommend to check out the download if the Dauw label has set the price to an ff-ing 1.000 (thousand) Euro? No, of course not. So I won’t.

Which is a pity, because this Olan Mill is a fascinating versatile album, a jaw dropping collection of soft harp music (Arpon), overtone singing accompanying an east-european choir (Molanret), modern classical string arrangements (Birove), dreamlike choirs (Alve) – and much, much more.

This should be heard by many more than just the hundred that went for the analog cassette format!
So don’t be silly, Dauwmake it available to those that do not necessarily need cassettes, for a reasonable price. The album deserves it.

Edit June, 11 – Dauw/Olan Mill reaction:
In a reaction to this post, Dauw explained that it was not theír decision not to have a digital download available: it was on specific request from the artist himself.
(He also personally comments below about the reason why).
It seems impossible to hide a digital download from the page, so that was the reason why the price was set at this level instead.

Also, the good news is that there will be an additional release of this album later this year, so it will not only be available on cassette but also on vinyl, Cd ánd as a digital download.

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Anjou; Pan & Me; Giulio Aldinucci; Ben Fleury-Steiner; Fossil Aerosol Mining Project – shortlist-


The migration of this blog has taken up some time, so I got a little behind in mentioning some fine album recommendations.
Here is another shortlist to catch up:


Collaboration project of Robert Donne (Labradford) and Mark Nelson with additional percussion by Steven Hess.
“Combining modular synthesis, Max/MSP programming and live instrumentation, Anjou deftly weaves noise with gentle ambience and melody with texture. Guitar, bass and  live percussion give the eight pieces an immediacy and create a framework for the more abstract sounds of digital and analog synth programming.”


Pan+Me Ocean Noise

The ‘Me’ from Pan & Me is Christophe Mevel (founding member of Dale Cooper Quartett & The Dictaphones).
‘Pan’ is Cyril Pansal, who adds found-sounds and guitars.
Together, they “created a musical journey with the attempt of being listened as one extensive piece. Christophe Mevel offers a display of memorable melodic songwriting with a deep sense for ever changing atmospheres and complex in its use of overlapping instrumentation and extended techniques. The experimental and detail orientated methods remind a bit of his work with Dale Cooper Quartet, but his imaginery soundscapes thrive from a single inimitable artistic vision.”



“Invisible and intangible air around us is actually similar to the sea, which always varies. And sound is the voice of air, and the impression of the space where it have been heard. The new album by Giulio Aldinucci focuses on the ability of different sounds to communicate and become music.”
The digital version of this album (also included when buying the physical edition) contains two bonus remixes by Porya Hatami and Ghost and Tape. 


Three-track, twenty minute deep drones that are an “ode to the enormous mystery that is our comparatively short time on this planet and draws inspiration from outer-space photography and the ancient pastime of stargazing.”
Passages draws on all of Ben’s 12 year experience in recording experimental music, full of detailed layers – from the micro-sound de-constructed synth fragments crafted in AudioMulch to the old Russian radio recordings sampled in ‘Telemetry’ there’s a maturity to this sound which will simply mesmerise.”

17 years in Ektachrome

As stated on the Fossil Aerosol Mining Project website: “Songs of enhanced decay and faked resurrection”. Tracks created entirely from “found materials – audio artifacts and field recordings.”
“This project disassembled and rearranged earlier, unreleased tracks and grafted them to new field recordings and recently-acquired debris. The damaged documents and pilfered souvenirs of a very long journey.”
A striking collage of sounds with the disturbing effect of a fever dream….


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