Search Results for: banabila

“Wave” is the first of a two part an auditive “guided fantasy” (“Ring” being the second part).
A mix of ambient music, soundscapes and other musical surprises, created in 2006.
No track is played completely, but the interaction of the fragments creates a completely new structure…. Which, in fact, is true for all ambient mixes of course…

These two mixes were part of a 4-hour radio broadcast that were thematically related to Icelandic music. At least: the first and the last were mostly. The first of these four programs was a compilation of the (magnificent) album ‘Spellewauerynsherde‘ by Akira Rabelais, the fourth part was a compilation of music from Iceland.

I guess it’s safe to assume that this also probably is the first (and possibly single) ambient music collage containing Venetian Snares music!
(read more for complete paylist)

“Acoustical Illusions”, a part of the “Hum in the Room-trilogy” (2005), is dedicated to the environmental sounds that sound like distant choirs or orchestras.

Sometimes when you listen to sounds in your environmental background, they may vaguely sound like a full string orchestra, or like soft whispering voices.
An orchestra tuning? Cars passing on the highway?Sound that sound different from what they really are – Acoustical Illusions.

Like the other wo mixes in this set (“Mantra of Walls and Wiring” and “The Hum in the Room“) this is a very minimal, drone-oriented mix.

And probably, you’ll also hear some sounds that aren’t even in it!

Peinzing – Part 2 (2003) is of course the second part of Peinzing (Pondering; Muse-ing).

Since both parts are meant to be listened to as one, please download part 1 first and listen to them sequentially.

You can find the full comments with Peinzing – Part 1, so for this edition I’ll just stick to the playlist..

One of the reactions on the earlier 4 hour non stop ambient collages broadcast by Supplement (…dutch radio program with a focus on modern/avant garde/experimental music…) in the past years, was an invitation to contribute two sound installations to the location project called Polderlicht (Amsterdam, november 2001).

This is the second one: “Eindpunt (End of the Line)”

The first one was “Klanksluis” (SoundLock, as in ‘Airlock’).