TAPU 25 Anniversary Mix

This mix is especially created to celebrate the 25th release on Michel Banabila’s Tapu Records (which will be released later this year).

In this mix (in fact a follow up of Streets, Dreams and Memories), all tracks & samples are chosen from the Tapu Records catalogue and so it displays the versatility of Banabila’s work – as solo artist as well as in collaboration with others.

A limited edition (100) physical Audio CD with this mix will be included with every physical release order from Banabila’s Bandcamp

Also, a VIDEO version (presenting the covers in sync with the mix, as well as including the impressive Geert Mulvideo for Crowds‘), can be downloaded for free (link below).

Tristesse D’Automne (Mix)

This mix was created especially for Headphone Commute.
Thanks to H_C for publishing it, and for the beautiful introduction words:

Autumn is here. Darkness slowly creeps up just a little bit earlier. Clouds get grayer and swell up with rain. Trees shed their colors and tighten their belts. And people begin to prepare for winter. But among all the shadows there’s a small ray of light. And with that glow comes the music… For today’s exclusive podcast, Peter van Cooten weaves in layers of haunting soundscapes spanning the gray-scale of the ambient universe. It’s a gorgeous soundtrack to the season of tears… I hope you will enjoy!

Parallax (Mix)

“I’m not formed by things that are of myself alone”

This is the key quote (taken from Stoker) for this mix, which is also ‘not formed by things of itself alone’. Every detail, every short sample, has its origin in another context, another musical composition, from which it is taken to find a new place in a completely different context.

“My ears hear what others cannot hear.”

Parallax is the visual effect that, when you are moving yourself, objects closer to you seem to move by faster than objects in the distance, which slowly seem to move with you in the same direction.
In sound, drones seem to create a somewhat similar effect.
In some way that is what this mix is about: the background sound slowly moving along with you while some other fragments pass by so quick you cannot even focus.
Just don’t try to focus.

“…Now I see things that were hidden from my eyes…”

Matthew Florianz – Los


Los

Matthew Florianz is one of the dutch artists I have been following for a lot of years now – together with fellow experimenters like Rutger ‘Machinefabriek’ Zuydervelt, the ‘Piiptsjilling’ (Kleefstra) brothers and Michel Banabila. 
It’s funny mentioning them together, because their music is quite different. But all have their own definite ‘brand’ that identifies their music, all work tirelessly on their music, and – finally – all get international recognition for their works’ quality.

From these artists, Matthew Florianz (who started recording as ‘Liquid Morphine’ around 2000) may be the one whose music remains most close to the origins of ambient music as defined by Brian Eno.
In musical style, I mean, not regarding the ‘generative’ compositional aspect of much of Eno’s music. Florianz carefully constructs his music, paying attention to the placement of every little detail.

Amnesia (Mix)


Photo: 'Misty Park' by Michel Banabila

Although it was created in March, this mix shows little signs of “Spring”.

There was no intentional relation, but inevitably the devastating Japan Earthquake, and the frightening nuclear disaster following it, somehow found its way into this mix.
The result: a rather dark overall atmosphere, which seems to leave little room for hope.
But at the same time, in Europe, winter retreats and daylight returns.
Nature shows that it can destroy as well as recuperate.

Matthew Florianz – Koude Handen


Koude Handen

Along with two other (dutch!) musicians Machinefabriek and Michel Banabila, Matthew Florianz is one of the three “all time favourite artists” in my last.fm profile.
This obviously means I was eagerly awaiting the release of Matthew’s new album “Koude Handen” (“Cold Hands”), his follow up to 2008’s Maalbeek

“Koude Handen” is presented as a free download from Matthew’s website – available as high bitrate MP3 or even as 24 bit FLAC (which, mind you, is even a better bitrate than standard CD can provide!). The album page also offers the complete artwork, as well as some beautiful promo videos.
And, to celebrate the release of this new album, Matthew also offers his previous release “Maalbeek” as a free download!

Invisible Ink (Mix)

Though the title of Arve Henriksen’s opening track (Stille Veg, Quiet Road) was the working title for this mix, I finally decided to call it “Invisible Ink” – referring to the quote from Laurie Anderson’s track from “Homeland”, which may describe the confused global state (and – if you wish –  the political state of Holland in particular):

Was the Constitution written in visible ink?
Has everybody here forgotten how to think? 
Is this great big boat starting to … sink?”

But apart from this, this journey along the ‘Stille Veg’ may present some interesting encounters – some dark and mysterious, others enchanting and optimistic…

[R]ecyclopedia [R]emix

Let me begin with a warning: this mix is quite unlike the previous ones!
Though there are quite a lot ‘ambient moments’ to enjoy, it cannot be qualified as ‘ambient music mix’ because it contains a lot of other musical elements too.

This mix was created especially for Frans Friederich – a dutch musician currently working on a megalomaniac project he started in 1997: Recyclopedia.
One single full CD for each letter in the alphabet.
26 CD’s recycling and rewriting musical history associatively…!

Frans Friederich’s musical history shows a variety of styles: he played in jazz-, ska-, and big-bands, but also in experimental acts like Dull Schicksal and Trespassers W.  This musical diversity is also heard on the Recyclopedia albums: it’s a musical roller coaster ride with Friederich himself joining the musical extremes in his own personal style.

In 2009, Friederich completed the Recyclopedia Qalbum – which contains beautiful ambient music created together with soundscape artist Robert Kroos. 
(So, by now, about 65% of this project is finished – with this average output the entire Recyclopedia will be completed around 2017!)

When I started this Recyclopedia mix, I originally wanted to focus on the many ambient music pieces throughout the series, creating an ambient mix and leaving out all other music. But the nature of the project decided otherwise.