Environmental ambient music. Peace & Quiet, Whales, Birds. The reassuring sounds of the city. The dreamlike landscapes of your subconscious mind.
Most of us hardly have any serious worries.
Mazen Kerbaj is a musician playing improvised music using his trumpet in a sort of Arve Henriksen style.
He is living in Beirut. Hís environmental sound at this very moment is the sound of the Israeli airplanes bombing his city.
On the night of 15/16 july 2006 he recorded this track (“Starry Night”) on the balcony of his flat in Beirut.
This is where environmental music gets very, very frightening.
We already enjoyed Pole, of course, and Deadbeat, and don’t forget Rhythm & Sound. And now from London comes Burial with this self-titled CD.
The genre is called ‘DubStep’ – and there are quite a lot of new electronic DJ’s exploring it. Lot of times it sounds flat, one-dimensional, analogue and not very inspiring. But every genre has it’s geniuses.
Burial is a very good example of how adventurous this new music can be. Neither Dance(-able) nor Reggae, neither ambient nor classic dub. Yet all of these at the same time, and very heavily electronic. A bit like Adrian Sherwood mixes from another dimension…??On the ‘Hyperdub’ label, which describes it as “Burial’s parallel dimension sounds set in a near future South London underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the submerged city outside the window. In their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers.”
‘The tropical downpour of the submerged city’ …(well it wás quite hot in London, that’s true)….’yearn for drowned lovers’…Just top thát for a description!
…And while in London, the inevitable visite to the Tate Modern Museum brought an unexpected auditive experience:Bill Fontana’s ‘Harmonic Bridge’ sound installation.
Just imagine a massively immersing multi-channel sound in the Turbine Hall pictured above!
In this installation, the Millennium Bridge acts as a giant string instruments. The processed sounds can be heard in the Tate Turbine Hall, as well as in London Underground’s Southwark Station (both locations are linked by this Millennium Bridge).
You can find more information HERE:
“A network of vibration sensors have been placed within the bridge turning it into a vast stringed instrument which plays an ever-changing musical composition based on it’s surrounding environment. The noise created by pedestrians passing overhead, the wind, bicycles and the architectural elements which make up the bridge have been transformed into a sound installation which can be heard simultaneously in Tate Modern’s Turbine Hall and also at Southwark Underground station.”
The sound from the bridge is picked up through “accelerometers” and is processed and transformed into “live sonic mappings”. As this sounds like a live (real time) process, I wondered why the sounds faded sometime to periods of silence – as this resulted in a bit of a pre-recorded feel..
The answer is in the project description on the artists website: “The work would enter the space as a slow moving wave, emerging from the ground tone of the background hum and then slowly decaying back into it.”
This installation is extended until august, 23. So when you’re heading for London be sure to visit the Tate Turbine Hall. Use the Underground, get off at Southwark Station and be sure to bang the bridge heavily while crossing it!
'Krazydad' Jim Bumgardner created quite a few amazing projects (involving Flickr photographs, for example, such as a caleidoscopic screensaver based on flickr photos).
This particular one is based on the musical theories of John Whitney, as described in his book "Digital Harmony". While the theory may be for diehards only, most people will simply just enjoy the harmonic aesthetics. Play and enjoy!!
Those of us that bought the original album back in 1981, would never have dreamt anything like this would ever be possible…:
To celebrate the re-release of Brian Eno & David Byrne’s “My Life in the Bush of Ghosts” there’s an opportunity to remix two of the tracks yourself.
From the special remix website, you can download track-packs for “Help me Somebody” and “A Secret Life” and start working on them yourself.
Re-upload your mix, and you’re in..!
Beethoven’s Ninth Symphony is part of mankind’s collective memory – everyone knows and recognises it (or at least parts of it).
Can you possibly imagine how this 74 minute symphony would sound, if it was stretched to 24 full hours? I bet not. Still, it’s worth a try. Leif Inge is the man who actually did this, and the resulting 9BeetStretch is unforgettable. If there’s a sound of infinity, this must be it.
If Matthew Florianz can create a track like this from his ‘discarded material’, imagine what he can come up with when he’s satisfied with the result!
By the way:
if you check Matthew’s website (and you should!), check out (and listen closely to) the video he made of his ‘Luchtkastelen’ remix!
The musical worlds seem far apart, but still there’s is a firm connection between (English) folk music roots and ambient drone music. (Just think of the drone of the bagpipe..)
This track is a beautiful reworking of the original Richard Thompson song (from “Henry the Human Fly, 1972“). Mark ‘Uncertain Music Corps’ Harrop revives this old time original and provides it with an ambient background that emotionally enhances the song and brings it back to life in a very contemporary way.
I had a bit of trouble acccustomizing to this cd, because it is so diverse and has some rather fierce improvisational material on it. But after a few spins it finally got me hooked. The ‘duos’ (Lê alternately plays and improvises with trumpeteer Paolo Fresu and Oud-player Dhafer Youssef) are described as ‘musical dialogues in an electronic laboratory’, and that’s a well-fitting description. There’s very beautiful, inspired and adventurous music here. Sometimes resembling the sound of Nils Petter Molvaer, but with the focus more on jazz than dance. This is not ‘easy’ music, but you’ll be rewarded for your persistence. The sample track presented here – Thang Long – is a good example of the blend of world music roots, improvisational jazz end modern electronics.
Although this is a Jason ‘Bong-Ra’ Kohnen side project, there’s none of his usual mind-blowing breakcore to be heard here. It’s ‘dark jazz’ instead – inspired by and meant as a soundtrack for films like Metropolis and Nosferatu.
There’s a lot of beautiful atmospheric moments to be found: highlights are tracks like The Nothing Changes, Solomon’s Curse, Amyghdala, Guernican Perspective. These are, as you may have guessed, the more quiet tracks. At other times the music is nicely running off the rails for your more experimental experiences…