It’s probably best to keep awake and try not to fall asleep to the dreamy ambience of this month’s DreamScenes selection.
Because if you do, you’ll miss the rather weird operatic intermissions by We Like We and the timeless deconstruction of Irish Airs by Fovea Hex.
And the very special – and possibly somewhat unexpeced – track from Efrén Lopéz, of which the chours is the cry of alarm that the Cathars used in the 12th century:
“A…E…I…O..U!!!”
Xerrox Vol. 3 is the third part (duh!) in what is going to be a five part series inspired by the process of copying.
All three parts have their subtitle: “Old World” (Xerrox Vol. 1, 2007), “New World” (Xerrox Vol. 2, 2009) – and now Vol. 3 is labeled: “Towards Space” .
This mix is made to be published in the excellent series of mixes on the “Sounds of a Tired City”, part of the larger website with the same name.
It is published exactly on its first year’s anniversary, so it’s in fact a birthday present too!
Inspired by the site name, I decided I wanted to try to create a sonic ‘walk’ through a ‘tired’ city.
A mix with a lot of scene changes… like walking through an unknown city on a (quiet sunday?) morning – finding hidden surprises and marvels around every corner..
It’s hard to keep up with so much great music out there.
Here’s a selection that brings you from modern classical to futuristic dub (via reel-to-reel tape delay)!
Hightlights from Monochromie; Visionary Hours; Peter Grech; Northumbria and Mogano
Music for “Wine Time” … Music for Marrakech Taxis … Drones for every day of the Week … and finally drones for a Future Terrain and to get lost completely …
More than ever before, it seems female artists are rightfully claiming their own space in experimental electronics.
Hot on the heels of the surprising Sleepstep album by Dasha Rush comes All In All – a new release by Cio D’Or (who’s track Distanz also saw a beautiful remix on the recent Sonae album).
Sleepstep and All In All are a perfect match, exploring the same musical areas of experimental yet atmospheric techno, pushing the boundaries of (dub-) techno into new and adventurous territories.
At first listen, her new album Sleepstep (subtitled ‘Sonar Poems for my Sleepless Friends’) does not sound like a ‘typical’ Raster-Noton release… maybe because her sonar poems are ‘feminine, subtle and personal reports’ – nothing like the usual concepts of electronic music created by nerdy, predominantly male tech-wizzards.
But as the album progresses, the musical soundscapes get more abstract and gradually prove Dasha’s perfectly at home on the Raster-Noton label.
Catching up with another shortlist: this time presenting albums by Forrest Fang, New Composers, Caught in the Wake Forever, Marsen Jules and Lucas Alvaredo
Thomas Newman is the widely acclaimed composer of more than 50 film and television scores, earned no less than twelve Academy Award nominations and six Grammy Awards for an impressive list of movies that are not exactly of the lesser-known kind.
Just to name a few: American Beauty, The Shawshank Redemption, Finding Nemo, Wall-E, The Horse Whisperer, The People vs. Larry Flynt…
Rick Cox is a composer and multi-instrumentalist, explorer of ‘prepared electric guitar’ techniques, who has played with the likes of Ry Cooder, Jon Hassell, and is no stranger to creating film music himself…hence their connection.
Knowing this, I expected to hear some well crafted and slick ‘movie soundtrack music’.
But I was wrong!
