10th Anniversary Celebration!

This month ambientblog celebrates its 10th anniversary.
Here’s a short preview of the anniversary project: a special mix containing exclusive tracks especially submitted for the occasion!

Apart from the download version of the mix and all separate exclusive tracks, there will also be a credit card USB version featuring the mix, all tracks ánd extras!
A beautiful little gem that hold over 60 hours (!!!) of sonic immersion!

DreamScenes 2015-10

Meandering from one end of the spectrum to the other, with a few surprises along the way: the DreamScenes Autumn selection features Thomas Ragsdale, Dat Rayon, Max Richter, Asid & Banabila, Evan Caminiti, Gaap Kvlt, Jos Smolders, Lone Echo, Gideon Wolf, Ariadne and Mauro Beltrán

Max Richter – (From) Sleep

“Somehow, in Europe, over the last century, as complexity and inaccessibility became equated with intelligence and the avant-garde, we lost something along the way. Modernism gave us so many stunning works, but we also lost our lullabies.”

Long-form compositions are a challenge to a composer, because he (she) has to deal with the audience’s relatively short attention span: not many people will be able to focus and keep their concentration for 4 hours or even more. For this reason, it is no surprise that long-form experiments are often found in the realm of ambient music. Ánd that they are often dealing with ‘sleep’ – which instantly solves the attention span problem too.

Sleeping, or what….? (+ Folio_Archive)

In case you are wondering about the recent lack of activity here: don’t worry – there’s a good reason for that:

Apart from the short holiday I enjoyed, I am now busy preparing an exciting project to celebrate the 10th anniversary of Ambientblog, later this year.
Details will follow soon – and it will definitely be worth the wait!

(And to fill the gap: here’s a Mixcloud link to the archive of radio shows I compiled for NPS Folio from 2006 until 2009).

Kenneth Kirschner – Compressions & Rarefactions

It was Brian Eno who once described ambient music as ‘music that is as ignorable as it is interesting’ – but it may very well be Kenneth Kirschner taking this concept to the extreme.

“Time, space, repetition, pattern, the very very big and the very very small. There’s an effort to be a part of the continuum and to recognize it, to try to remove the self if possible in a recognition of the bigger things. Also, neither of us is afraid of the dark.”