Paul Sharma is a british painter and musician who was raised in India.
Regular Ambientblog.net visitors and podcast subscribers will probably remember the exclusive tracks he presented earlier this year: the electronic Raga tracks called “Embers” (vocal and instrumental version)
His new EP, called Safar (meaning ‘Journey’ in the Urdu language) is now presented on the Test Tube netlabel.
Ever since I heard Pink Floyd’s processed recording of a stadium singing (on ”Fearless”, from 1971’s “Meddle”), the sound of a mega-crowd organism fascinates me as well as the mass hysteria behind it frightens me.
In fact, I really HATE football, but the 2010 World Championship brought a new fascinating phenomena: the Vuvuzela.
The deafening sound (over 125dB, which is louder than a chain-saw) is dreaded by many for its annoying sound and danger of deafening.
Still, a stadium with thousands of these horns honking continuously is a fascinating sound, which I would love to hear properly recorded (in full surround, preferrably).
So, when someone posted a link to a short sample from the US-UK match, I simply could not resist….
“Cinta Cita – Meeting with the Tape” is the second ‘guest mix’ created especially for ambientblog.net.
(The first was Muttley’s “Isolate”).
Cinta Cita is a 2 1/2 hour journey by DJ Rich-Ears, presented in two parts.
This is Part 2 (Part 1 can be found [here]).
“Ambient as atmosphere. Ambient as the cusp of melody and texture. Here we have an elegantly complex woven soundtrack (by DJ Rich-Ears) from the Lowlands that takes us through time, back and forth, from the familiar, the rare, the digital and the analogue. Let it be the soundtrack to a moment where everything slows down and re-engage with yourself and your surroundings.”
Robin Rimbaud / Scanner / april 3th – 2010
“Cinta Cita – Meeting with the Tape” is the second ‘guest mix’ created especially for ambientblog.net.
(The first was Muttley’s “Isolate”).
Cinta Cita is a 2 1/2 hour journey by DJ Rich-Ears, presented in two parts (Part 2 can be found [here]).
“Ambient as atmosphere. Ambient as the cusp of melody and texture. Here we have an elegantly complex woven soundtrack (by DJ Rich-Ears) from the Lowlands that takes us through time, back and forth, from the familiar, the rare, the digital and the analogue. Let it be the soundtrack to a moment where everything slows down and re-engage with yourself and your surroundings.”
Robin Rimbaud / Scanner / april 3th – 2010
Let me begin with a warning: this mix is quite unlike the previous ones!
Though there are quite a lot ‘ambient moments’ to enjoy, it cannot be qualified as ‘ambient music mix’ because it contains a lot of other musical elements too.
This mix was created especially for Frans Friederich – a dutch musician currently working on a megalomaniac project he started in 1997: Recyclopedia.
One single full CD for each letter in the alphabet.
26 CD’s recycling and rewriting musical history associatively…!
Frans Friederich’s musical history shows a variety of styles: he played in jazz-, ska-, and big-bands, but also in experimental acts like Dull Schicksal and Trespassers W. This musical diversity is also heard on the Recyclopedia albums: it’s a musical roller coaster ride with Friederich himself joining the musical extremes in his own personal style.
In 2009, Friederich completed the “Recyclopedia Q” album – which contains beautiful ambient music created together with soundscape artist Robert Kroos.
(So, by now, about 65% of this project is finished – with this average output the entire Recyclopedia will be completed around 2017!)
When I started this Recyclopedia mix, I originally wanted to focus on the many ambient music pieces throughout the series, creating an ambient mix and leaving out all other music. But the nature of the project decided otherwise.
Isolate is the first mix published on ambientblog.net created by a guest.
Muttley (Michael Buckingham) is actively maintaining the Subvert Central weblog (hosting 60+ mixes now!), and also contributed some mixes to the Low Light Mixes weblog that I’m sure you are all familiar with.
Isolate is a continuous mixtape focussing on drone tracks. It’s a great mix to listen to at night (and falling asleep to).
Paul Sharma‘s Embers is a beautiful electronic composition based on the Indian midnight raga Malkauns, and thus is very suitable for midnight listening (The Raga Guide indicates Late Night: 12 – 3).
“Malkauns is a serious, meditative raga, and is developed mostly in the lower octave (mandra saptak) and in a slow tempo (vilambit laya).”
(Wikipedia)
On this version the vocals are more in the middle octave as that suits Rajesh’s voice, but there are instruments at the lower (and sub-lower) to compensate. The vocal piece starts with an alap (free or rhythmless tempo) and then a slow tempo vocal.
“It is a majestic and somewhat introverted pentatonic raga, which seems to have undergone quite a transformation over the centuries. Superstitious musicians describe it as a raga with supernatural powers, and some believe that it can attract evil spirits.”
(The Raga Guide)
‘The Hardest Working Man in Showbusiness’.
Usually this refers to Funk Godfather James Brown, but if anyone else deserves this credit it would be Rutger ‘Machinefabriek‘ Zuydervelt.
From 2004, he has been releasing a steady stream of music, most of them self-released (often on 3-inch CDR’s with handcrafted artwork).
Though in itself his work is quite uncompromising, it did not stay unnoticed for long. Machinefabriek soon became one of Europe’s most important and acclaimed electronic artists.
‘The Chronicles of Spellborn‘ came with so much interesting soundscapes, that I decided to create a second mix, an alternate version to the first one published last week.
Basically, the ingredients and the atmosphere are the same, but different tracks and samples are chosen.
In fact, both of these mixes can be played together and be listened to as one (two-hour) mix.
Read the information in the previous podcast entry for more details about this mix and about the Chronicles of Spellborn game.
![[R]ecyclopedia [R]emix](https://www.ambientblog.net/blog/wp-content/uploads/2019/02/friederich-header-244x250.jpg)
