Cinta Cita – part 2


Cinta Cita 2

“Cinta Cita – Meeting with the Tape” is the second ‘guest mix’ created especially for ambientblog.net.
(The first was Muttley’s “Isolate”).

Cinta Cita is a 2 1/2 hour journey by DJ Rich-Ears, presented in two parts.
This is Part 2  (Part 1 can be found [here]).  

“Ambient as atmosphere. Ambient as the cusp of melody and texture. Here we have an elegantly complex woven soundtrack (by DJ Rich-Ears) from the Lowlands that takes us through time, back and forth, from the familiar, the rare, the digital and the analogue. Let it be the soundtrack to a moment where everything slows down and re-engage with yourself and your surroundings.”
Robin Rimbaud / Scanner / april 3th – 2010

Cinta Cita – Part 1


Cinta Cita, Part 1

“Cinta Cita – Meeting with the Tape” is the second ‘guest mix’ created especially for ambientblog.net.
(The first was Muttley’s “Isolate”).

Cinta Cita is a 2 1/2 hour journey by DJ Rich-Ears, presented in two parts (Part 2 can be found [here]).  

“Ambient as atmosphere. Ambient as the cusp of melody and texture. Here we have an elegantly complex woven soundtrack (by DJ Rich-Ears) from the Lowlands that takes us through time, back and forth, from the familiar, the rare, the digital and the analogue. Let it be the soundtrack to a moment where everything slows down and re-engage with yourself and your surroundings.”
Robin Rimbaud / Scanner / april 3th – 2010

[R]ecyclopedia [R]emix

Let me begin with a warning: this mix is quite unlike the previous ones!
Though there are quite a lot ‘ambient moments’ to enjoy, it cannot be qualified as ‘ambient music mix’ because it contains a lot of other musical elements too.

This mix was created especially for Frans Friederich – a dutch musician currently working on a megalomaniac project he started in 1997: Recyclopedia.
One single full CD for each letter in the alphabet.
26 CD’s recycling and rewriting musical history associatively…!

Frans Friederich’s musical history shows a variety of styles: he played in jazz-, ska-, and big-bands, but also in experimental acts like Dull Schicksal and Trespassers W.  This musical diversity is also heard on the Recyclopedia albums: it’s a musical roller coaster ride with Friederich himself joining the musical extremes in his own personal style.

In 2009, Friederich completed the Recyclopedia Qalbum – which contains beautiful ambient music created together with soundscape artist Robert Kroos. 
(So, by now, about 65% of this project is finished – with this average output the entire Recyclopedia will be completed around 2017!)

When I started this Recyclopedia mix, I originally wanted to focus on the many ambient music pieces throughout the series, creating an ambient mix and leaving out all other music. But the nature of the project decided otherwise.

Isolate (Mix)


Muttley profile picture

Isolate is the first mix published on ambientblog.net created by a guest.

Muttley (Michael Buckingham) is actively maintaining the Subvert Central weblog (hosting 60+ mixes now!), and also contributed some mixes to the Low Light Mixes weblog that I’m sure you are all familiar with.

Isolate is a continuous mixtape focussing on drone tracks. It’s a great mix to listen to at night (and falling asleep to).

Paul Sharma – Embers

Paul Sharma‘s Embers is a beautiful electronic composition based on the Indian midnight raga Malkauns, and thus is very suitable for midnight listening (The Raga Guide indicates Late Night: 12 – 3).

“Malkauns is a serious, meditative raga, and is developed mostly in the lower octave (mandra saptak) and in a slow tempo (vilambit laya).”
(Wikipedia)

On this version the vocals are more in the middle octave as that suits Rajesh’s voice, but there are instruments at the lower (and sub-lower) to compensate. The vocal piece starts with an alap (free or rhythmless tempo) and then a slow tempo vocal.

“It is a majestic and somewhat introverted pentatonic raga, which seems to have undergone quite a transformation over the centuries. Superstitious musicians describe it as a raga with supernatural powers, and some believe that it can attract evil spirits.”
(The Raga Guide)


Machinefabriek – Ax / Still


http://www.machinefabriek.nu
 

‘The Hardest Working Man in Showbusiness’.
Usually this refers to Funk Godfather James Brown, but if anyone else deserves this credit it would be Rutger ‘Machinefabriek‘ Zuydervelt.

From 2004, he has been releasing a steady stream of music, most of them self-released (often on 3-inch CDR’s with handcrafted artwork). 

Though in itself his work is quite uncompromising, it did not stay unnoticed for long. Machinefabriek soon became one of Europe’s most important and acclaimed electronic artists.

Sounds of Spellborn – Alternate (mix)

The Chronicles of Spellborn‘ came with so much interesting soundscapes, that I decided to create a second mix, an alternate version to the first one published last week.

Basically, the ingredients and the atmosphere are the same, but different tracks and samples are chosen.
In fact, both of these mixes can be played together and be listened to as one (two-hour) mix.

Read the information in the previous podcast entry for more details about this mix and about the Chronicles of Spellborn game.

Sounds of Spellborn (mix)

If you have listened to previous mixes on this weblog, you may have grown accustomed to the kind of format that they share. This one has a different approach.

I noticed that a lot of people are unfamiliar with ambient music, but still get exposed to it more than ever: in movie soundtracks, and even more: when playing games. It may not be recognised as ‘music’ at all, but more as sounds to create/enhance an environment – but still: that’s what ambient music is about, isn’t it?

When The Chronicles of Spellborn was released early 2009, I decided to create a special mix from a selection of the sound and music that comes with it.

Akira Rabelais’ Christmas Gift

Akira Logo

**Please note: **
This remix was intended as a special 2009 Christmas gift from Akira Rabelais.
It is now no longer available to download

Right from the very first time I heard the “Spellewauerynsherde” album by Akira Rabelais (released in 2004 by David Sylvian’s Samadhisound label) this album has been one of my absolute favourites. 
And now, 5 years since the original release, it still is a sound unheard neither before nor since.
 
Spellewauerynshere is built from found sounds, field recordings of traditional Icelandic accapella lament songs that were recorded in the late 1960s or early 1970s. The recordings are heavily (and sometimes less heavily) treated and manipulated by Rabelais’ custom built music software, Argeïphontes Lyre.
You can check back on ambientblog to read my review from 2005:
“It’s as if a voice coming from the middle ages haunts you in your deepest sleep. It’s beautiful, heavenlike. But at the same time it’s distorted and confusing, scary even.”

Now, Akira created a complete new mix from the same source material, and decided to present it as a Christmas gift.
It has the same haunting atmosphere, so if you want to have some ‘slightly’ different christmas music at home this year, this gift is for you. You’ll have to act quick, since the links and podcast will be removed after christmas day.