Mauro Beltrán; Tatsuro Kojima; Drawing Virtual Gardens; JesterN

Catching up some more:
an eclectic collection from young spanish composer Mauro Beltrán, ‘tactile’ music from Tatsuro Kojima, fragile yet virtual memories from Drawing Virtual Gardens, and an astonishing (surround) set by JesterN best described as ‘ambient electroacoustic breakcore’.

Eilean & Dauw Dialog Tapes

In recent years it is not uncommon that artists work together without meeting each other in real life. On-Line collaboration is a common working method: sending work-in-progress to each other until it’s ready.
But as far as I know, two labels collaborating together in this way – matching their artists to work in duos on a collaboration track – has not been done before.

Dialog Tapes, released by Eilean Records and Dauw proves that the sum can indeed be much greater than the sum of its parts.

DreamScenes 2015-10

Meandering from one end of the spectrum to the other, with a few surprises along the way: the DreamScenes Autumn selection features Thomas Ragsdale, Dat Rayon, Max Richter, Asid & Banabila, Evan Caminiti, Gaap Kvlt, Jos Smolders, Lone Echo, Gideon Wolf, Ariadne and Mauro Beltrán

Max Richter – (From) Sleep

“Somehow, in Europe, over the last century, as complexity and inaccessibility became equated with intelligence and the avant-garde, we lost something along the way. Modernism gave us so many stunning works, but we also lost our lullabies.”

Long-form compositions are a challenge to a composer, because he (she) has to deal with the audience’s relatively short attention span: not many people will be able to focus and keep their concentration for 4 hours or even more. For this reason, it is no surprise that long-form experiments are often found in the realm of ambient music. Ánd that they are often dealing with ‘sleep’ – which instantly solves the attention span problem too.

Kenneth Kirschner – Compressions & Rarefactions

It was Brian Eno who once described ambient music as ‘music that is as ignorable as it is interesting’ – but it may very well be Kenneth Kirschner taking this concept to the extreme.

“Time, space, repetition, pattern, the very very big and the very very small. There’s an effort to be a part of the continuum and to recognize it, to try to remove the self if possible in a recognition of the bigger things. Also, neither of us is afraid of the dark.”