Category: ambient music

ambient music, other-music, RECOMMENDATIONS

Martyn Bates and Troum – To a Child dancing in the wind

Martyn Bates and Troum

By definition, ‘ambient music’ cannot be ‘vocal music’ unless only wordless syllables are sung (by my traditional definition, that is). Recognisable text generally asks too much attention, and singing almost always requires chords that can be ‘remembered’ easily. Still – in the last year I have heard some great examples of music that defies this narrow definition. There are quite a few examples of “songs” that work very well with a clearly ambient, droney background. For a good example, listen to Wheely Down cover by the Uncertain Music Corps.

ambient music, other-music

Banabila + Asid: Oh No Uaredero

Banabila + Asid

I’ve said it before, and I’ll probably say it again: Michel Banabila’s music (a well-balanced fusion of electronic, ambient, jazz and ethnic music) deserves much more attention, and not only in Europe! 
To get a good impression of his versatility, you can check the myspace accounts listed below. Or read the ‘Hilarious Expedition’ weblog entry earlier. Or just click the icon below to listen to ‘Oh No Uaredeo’ with Salar Asid on violin).

ambient music, other-music, RECOMMENDATIONS

Svalastog – Woodwork

Woodwork

Rune Grammofon does it again! Can you imagine what ‘electronic’ music based on the sound of a ram’s horn, a cow’s horn and a harpeleiki (a norwegian zither) could sound like? Well – in fact it sounds a bit like the compositions of Information’s ‘Biomekano’, because that’s where Per Henrik Svalastog comes from. Only this time the sound is much more natural (as opposed to electronic), due to the nature of the instruments used. This is a complete new definition of the electro-acoustic genre. Fascinating!

ambient music, other-music, RECOMMENDATIONS

Helios – Eingya

helios

Although Keith Kenniff’s (aka Helios, aka Goldmund) music is labelled as ‘ambient’ in fact it’s nothing like it. At least not in my definition of the genre. There’s way too much melody and rhythm in it, you could even hum along…
It’s not just strictly electronics – there’s a soft guitar, piano, laid back percussion. This is the sort of music that feels like a warm bath. It’s very ‘friendly’ music…opposite to the dark threatening atmosphere that ambient drones sometimes have.
Sounds a bit like Susumu Yokota on his better works, and, yes indeed, Goldmund.

ambient music, other-music

Sacred Dub Podcasts

Sacred Dub Podcast logo

If you’re a fan of the music of Bill Laswell, then probably you’re also one of the followers that cannot seem to get enough of that stuff! Check out www.sacreddub.com.
Apart from a wealth of information, hot news, and an extensive discography, the collection of downloadable podcasts is especially interesting. At time of writing there are already 13 available, each one lasting one hour, and complete with full track details!

As the title suggests, these podcast focus on Laswell’s (ambient-) dub experiments. Apart from Laswell’s own music there’s also interesting material from artists closely related to his style. The nonstop mixes are available as 128 Kbit MP3-files, which is good enough to listen on your MP3-player. Polish up your internet connection and start downloading before it’s too late!

ambient music, other-music, RECOMMENDATIONS

Modern Institute – Excellent Swimmer

modern institute

Ambient electronic music sometimes seems to lack self-relativism and humour. That’s why track-titles like “ECM Haircuts” or “Sign Everyone in Iceland” call for immediate attention.

“Excellent Swimmer” – the latest Modern Institute Album on Expanding Records – has just the right mix of relativism and seriousness, and a perfect blend of electronic and acoustic sounds too..

It’s Martina Bertoni (on cello) and Teho Teardo (on everything else) – with a little help from Mark Beazley (Rothko) on the track you can listen here (called “post.ino”). 

“Excellent Swimmer” defies standard genres; there’s quite a lot of references found in it…sometimes it even reminded me of the Penguin Cafe Orchestra.

Nice. Or more than nice – Great!

ambient music, other-music

Kerbaj’s Environment

Environmental ambient music. Peace & Quiet, Whales, Birds. The reassuring sounds of the city. The dreamlike landscapes of your subconscious mind.
Most of us hardly have any serious worries.

Mazen Kerbaj is a musician playing improvised music using his trumpet in a sort of Arve Henriksen style.
He is living in Beirut. Hís environmental sound at this very moment is the sound of the Israeli airplanes bombing his city.

On the night of 15/16 july 2006 he recorded this track (“Starry Night”) on the balcony of his flat in Beirut.
This is where environmental music gets very, very frightening.

ambient music

Bill Fontana – Harmonic Bridge

Tate Modern Turbine Hall

…And while in London, the inevitable visite to the Tate Modern Museum brought an unexpected auditive experience:Bill Fontana’s ‘Harmonic Bridge’ sound installation.
Just imagine a massively immersing multi-channel sound in the Turbine Hall pictured above!

In this installation, the Millennium Bridge acts as a giant string instruments. The processed sounds can be heard in the Tate Turbine Hall, as well as in London Underground’s Southwark Station (both locations are linked by this Millennium Bridge).

You can find more information HERE: 
“A network of vibration sensors have been placed within the bridge turning it into a vast stringed instrument which plays an ever-changing musical composition based on it’s surrounding environment. The noise created by pedestrians passing overhead, the wind, bicycles and the architectural elements which make up the bridge have been transformed into a sound installation which can be heard simultaneously in Tate Modern’s Turbine Hall and also at Southwark Underground station.”

The sound from the bridge is picked up through “accelerometers” and is processed and transformed into “live sonic mappings”. As this sounds like a live (real time) process, I wondered why the sounds faded sometime to periods of silence – as this resulted in a bit of a pre-recorded feel..
The answer is in the project description on the artists website: “The work would enter the space as a slow moving wave, emerging from the ground tone of the background hum and then slowly decaying back into it.”

This installation is extended until august, 23. So when you’re heading for London be sure to visit the Tate Turbine Hall. Use the Underground, get off at Southwark Station and be sure to bang the bridge heavily while crossing it!