Search Results for: barnhoorn

Dutch Harvest: Barnhoorn – Veldhuis – Tamea – Banabila

Here’s a batch of most interesting recent releases by dutch artists (that definitely should be heard outside Holland):


Antichamber

SIDDHARTHA BARNHOORN – ANTICHAMBER
Siddhartha Barnhoorn‘s relatively young biography (since 2004) already boasts a great number of soundtracks for movies and commercials. His latest release is the soundtrack for the “Antichamber” game (released through Steam) – a game that does quite well in the gaming community as far as I can tell by the ‘metacritic score’ of 82/100.
I cannot tell anything you about the game experience (if anyone reading this has played the game please share your experience in the comment section) – but as far as the music goes: this is spectacularly atmospheric, breathing a calm that seems to be the complete stylistic opposite of the preview images’ atmosphere.

Creating game music is quite different from creating soundtrack music, as games are mostly unlinear, and it’s never known how long a player will remain at a certain scene. So it’s all about creating an atmosphere, especially one that you would love to stay in longer … and this is what Barnhoorn does very, very well.

Siddhartha Barnhoorn – Pillars of Light


Pillars of Light

“Pillars of Light” is Siddhartha Barnhoorn‘s first full album, but it can hardly be called a ‘debut’.

Although relatively young (born 1981 in Katwijk aan Zee, Holland), he has produced numerous film scores since 2004. Producing over 50 film scores in the last five years (!), not counting documentaries, trailers, commercials and other project, he obviously is not afraid of working hard too!

As a fan of atmospheric ambient music (which is not a strange thing when you’re a contextual composer), he decided to create his own independent album: “Pillars of Light“

Time To Listen (Mix)

Apart from its opening sample – ‘It is time to stop seeing. It is time to stop speaking. It is time to listen’, from David Cronenberg’s Crimes Of the Future – this mix has no central theme or story. It’s up to you, the listener, to take the time to listen and go with the flow.

Reactions

REACTIONS “I had a full body eargasm to this yesterday. Take your best headphones, your most comfortable chair and fold in your freshest concentration…”Tim Exile (about “Synaptic Research“) “You managed to surprise me with my own work”Mark Tamea (about the 2009 mix) “It is a great place to keep up…

Tristesse D’Automne (Mix)

This mix was created especially for Headphone Commute.
Thanks to H_C for publishing it, and for the beautiful introduction words:

Autumn is here. Darkness slowly creeps up just a little bit earlier. Clouds get grayer and swell up with rain. Trees shed their colors and tighten their belts. And people begin to prepare for winter. But among all the shadows there’s a small ray of light. And with that glow comes the music… For today’s exclusive podcast, Peter van Cooten weaves in layers of haunting soundscapes spanning the gray-scale of the ambient universe. It’s a gorgeous soundtrack to the season of tears… I hope you will enjoy!

Discouraging Intruders (Mix)

The main theme for this mix (as well as the title “Discouraging Intruders” ) came from the spoken word track by the Dwindlers: “What the Wolves Said”:

“No two of us on the same note, we sound bigger…our harmony discouraging intruders…”

Although generally not sounding like a pack of howling wolves, sometimes the purpose of ‘ambient’ music also is also is to ‘discourage intruders’ (such as unwanted sounds) to invade your environment..

From the opening, this mix slowly dwells into long drone soundscapes – some discouraging, others comforting – only to be interrupted by a climactic eruption from Siddhartha Barnhoorn‘s cinematic ‘Artifacts‘ directly following the enchanting vocals of Fovea Hex, a choir arrangement that seems to be coming directly from heaven by Franz Liszt (from ‘Via Crucis‘, 1879!), followed by a Sibil’La Catalana string theme from the 15th century – and finally to be concluded by the acquiescent vocals from the Terje Isungset track.   

Whether you prefer to be on the inside or the outside is up to your imagination…

Image with kind permission from the Panopticons project.