AGF, Simon Whetham


Source Voices

AGF – Source Voice
The LINE SEGMENT series is a series of releases on the LINE label “which will highlight some, perhaps, very non-LINE-like works. Works that stray from the norm…(The LINEnorm, that is, because most music on Line itself definitely strays from ‘the’ norm, too!).
AGF’s “Source Voice is the second release in this Line Segment series.

AGF
(Antye Greie-Ripatti, born in East-Germany but now living in Finland) has worked for more than a decade “releasing experiments connecting voice, deconstruction of language, perception, and sound processing”.
If her name is new to you, you may have some interesting research to do: she has been working together with artists like Vladislav Delay, Ellen Alien, Gudrun Gut and Eliane Radigue (amongst others),

Simon Whetham – Mall Muzak


Mall Muzak

The original Muzak, aka Elevator Music, may represent all the music you don’t want to listen to actively.
Intended and created as unobtrusive music played in shopping malls, designed to make you feel good and spend more money without realising you hear anything at all, this kind of music definitely has it’s own -conceptual-  kind of charm.  

Simon Whetham’s  latest release,  Mall Muzak” is about the exact opposite of that kind of music.

Field Rotation; Wil Bolton; Anna Rose Carter + Pleq; Umber; Simon Whetham

In this “shortlist” section, I will mention some of the albums that I enjoyed listening to, but couldn’t find the time (or the right words) for a “full” review for. 
Still, I think they deserve your attention (use the links to find more info and hear previews).

Field Rotation

Field Rotation – And Tomorrow I Will Sleep
“After countless nights of work for university suspending my circadian rhythm at last I decided to compose some pieces to set myself on sleeping mode. – Christoph Berg (Field Rotation)
This beautifully calm album was released a few months ago, but somehow slipped through the cracks and was never reviewed here. It should have been, since  the album keeps returning to my player to prove it is one of the best releases I have heard this year. 

Chimes for a Wall Drawing

Wil Bolton – Chimes for a Wall Drawing
Remarkably bright-sounding live recording of a 2009 performance at Tate Liverpool, inspired by the gallery’s display of Sol LeWitt’s ‘Wall Drawing #1136’
“In the spirit of Sol LeWitt’s use of seriality and arbitrary systems, this electro-acoustic composition used the artwork as an inspiration and graphic score, mapping its seven spectrum colours onto the corresponding notes on coloured chime bars. Chimes, handbell and electric guitar were processed live into elongated tones and drones, layered with electronics and field recordings made within the gallery and surrounding area.”