Throughout musical history, composers have always taken fragments of other composers’ work and used them to re-compose completely new compositions. Before “electricity”, their choice of instruments was ‘limited’ to that of the classical orchestra settings. And now time has passed, they all sound ‘classical’ to contemporary ears.
But when contemporary composers – especially from ‘rock’ or experimental field – reworks classical compositions, incorporating electronic media – hell breaks loose in purist camps on both sides.
At least, that’s how it used to be – some years ago. It seems things have changed a bit since we’re more accustomed to the culture of ‘sampling’. … Read More