Michael Begg * TheAdelaidean
Music inspired by Antarctica: a data-driven project by Michael Begg, and Sean ‘theAdelaidean’ Williams’ memories of an expedition.
Music inspired by Antarctica: a data-driven project by Michael Begg, and Sean ‘theAdelaidean’ Williams’ memories of an expedition.
Ragas in just intonation performed by Christina Vantzou, Michael Harrison and John Also Bennett — Michael Begg’s attempt to realize ‘something that refused to play’.
Soundscapes based on data from black holes (Valery Vermeulen) and from the arctic ocean (Michael Begg).
Acoustic piano, contemporary classical and expressions of ‘Solastalgia’: works by Chris Abrahams, John Luther Adams, Michael Begg and the Black Glass Ensemble.
Exploring the Marimba as a source for ambient music with MNO *** Michael Begg returns to the music of satellites in the company of Clodagh Simonds.
Stephen O’Malley’s ‘Géante 4’ composed for Stuart Dempster and performed by Eye Music *** Black Glass Ensemble explores the power of the B Minor chord together with 104 friends *** Michael Vallera creates soundscapes where the sound cannot be traced back to his guitar.
Three albums connected through their album covers – but also through their music: deep sounds by Haarvöl, Michael Begg and Harrold Roeland.
Michael Begg’s mysterious tribute to painter Leonora Carrington, Zeger de Vos’ hallucinatory underwater visions, and ambient guitar soundscapes from Nymphalida.
Michael Begg and Marcus Fischer & Burke Jam each explore “Vanitas” (a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death) in their own way.