‘Borderlands’ is an extended meditation for multitracked cellos recorded by cellist William Mace. The composition ‘comprises of six interludes and six extended panels, each comprising twenty-eight short melodic fragments. Each panel uses the same fragments to form new melodies and harmonies.” – but for the listener it feels – and can be enjoyed – as one single uninterrupted piece.
A piece in which every single detail has its place, a piece that conveys that everything is as it should be. A very, very comforting piece. … Read More
Haunting dark jazz of Dale Cooper Quartet & Dictaphones, inspired by a Witxes track, and a Witxes track reconstructing an earlier Dale Cooper Quartet track.
Both with a beautiful flow of narrative storytelling, an almost cinematic sequence of ‘tension and release’. … Read More
Right from the opening track it’s obvious that “Aerial” is something else, almost beyond comparision!
It took me some time to grow accustomed to this album. It requires some dedicated listening, on the right moment.
But ultimately, the raw beauty of the distictive textural palette grabbed me, and didn’t let go.
Only to leave me wondering why I had not heard of Anna Thorvaldsdottir before. … Read More
Bad Sector’s “Kosmodrom” was originally released in 2005 but sold out within a few months. It is dedicated to Konstantin Tsiolkovsky (Russian pioneer of astronautic theory), and shows this dedication by including original Soviet sound devices (like the Aelita synthesizer and the electro-optical ANS), mixed with space mission dialogues and fragments from transmissions of the mysterious spy channel (‘numbers’) radio stations.
Dedicated to all Soviet/Russian cosmonauts – and also recommended to all wannabe astronauts that enjoy drifting away into outer space (while not leaving home)! … Read More
Charity compilations come in all forms & sizes, but “Touched Two” is one of truly megalomaniac proportions. I really don’t know where to begin here. This “review” is the very first I ever write without having listened to the album at least a few times. How can anyone éver review a 255 track compilation that presents over 22 hours of music? … Read More
“Become Ocean” was inspired by the oceans of Alaska and the Pacific Northwest, and the references to the endless oceanic movement are clear from the very beginning. Like there are different ways to look at the ocean’s movement, there are also are different ways to listen to this piece: you can just ‘follow the larger structure’, but you can also focus on the multitude of details underneath it..
“It may be the loveliest apocalypse in musical history” – Alex Ross, The New Yorker
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Barely one month after the DVD (re-)release of “Escapement”, Poppy Ackroyd pops up again with her newest full album release “Feathers” . Time for a quick update, an ‘addendum’ to the previous post. … Read More
Packed in a beautiful black embossed cover is this remarkable re-issue of Poppy Ackroyd’s 2012 album. For this re-release, “Escapement” is presented in DVD-format with visuals by Lumen (Tom Newell). … Read More
Throughout musical history, composers have always taken fragments of other composers’ work and used them to re-compose completely new compositions. Before “electricity”, their choice of instruments was ‘limited’ to that of the classical orchestra settings. And now time has passed, they all sound ‘classical’ to contemporary ears.
But when contemporary composers – especially from ‘rock’ or experimental field – reworks classical compositions, incorporating electronic media – hell breaks loose in purist camps on both sides.
At least, that’s how it used to be – some years ago. It seems things have changed a bit since we’re more accustomed to the culture of ‘sampling’. … Read More
This mix is especially created to celebrate the 25th release on Michel Banabila’s Tapu Records (which will be released later this year).
In this mix (in fact a follow up of “Streets, Dreams and Memories“), all tracks & samples are chosen from the Tapu Records catalogue and so it displays the versatility of Banabila’s work – as solo artist as well as in collaboration with others.
A limited edition (100) physical Audio CD with this mix will be included with every physical release order from Banabila’s Bandcamp.
Also, a VIDEO version (presenting the covers in sync with the mix, as well as including the impressive Geert Mulvideo for ‘Crowds‘), can be downloaded for free (link below).
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London Docks is the alias Nikita Sorokin uses for his solo work.
He’s not from London, but from Los Angeles.
Also a member of Insects vs. Robots – but don’t let that count as an introduction, because the music he presents as London Docks is quite different from that of this particular “psychotropicturesque quasi-nomadic music tribe”.
“Tangaróa“ is a collection of tracks merging Nikita Sorokin‘s solo violin improvisations with “fields recordings and electronica into sonic dreamscapes that are inspired as much by science fiction and mythology as they are by musical ideas”.
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From Gdansk, Poland comes Dat Rayon.
I have no idea who is (or are) behind that alias, but that only adds to the mystery of this album.
“Motor City“ is Dat Rayon‘s second full album, the follow up of the self-released “Station Wagon” debut from 2012. This time it’s released by Zoharum, with a beautiful 6-panel sleeved physical edition too (limited to 300 and quickly selling out, by the way).
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The music of Boozoo Bajou (German duo Florian Seyberth and Peter Heider) has always been quite atmospheric.
The three full albums (and numerous 12-inches) they have released since 2001 contained the low-tempo dubby trip-hop often called ‘Lounge’ – the lush kind of sounds that German musicians seemed to master exclusively.
Their latest album, “4“, manages to build on all they did before, and use it as a foundation to create an album that ‘transcends basic categories and expectations’.
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With core members Ian Hawgood (electronics), Danny Norbury(cello), Clem Leek (piano), and Tim Martin (Maps and Diagrams, electronics), Black Elk could be regarded as a post-classical/ambient “Supergroup”.
In 2012, their first album“Sparks“ was released, a beautiful collection of atmospheric tracks in various styles.
For their recent Japan tour (december 2013) a collection of “Sketches” was assembled on five different (CDR) albums, containing outtakes, unfinished tracks, live performances and … sketches!
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A seemingly random collection of albums with the piano as the main instrument…
OTTO A. TOTLAND – PINÔ
Half of Deaf Center. Also half of Nest. More introduction to the intricate piano sounds of Otto A. Totland should hardly be needed.
“Pinô” is his first full featured solo-album, packed in a beautiful gold-embossed hardcover sleeve that perfectly matches the music it contains: atmospheric, calm, intimate.
The music was recorded in Nils Frahm’s (Durton) studio on a squeaky piano with a soft, velvety sound. The intimacy is enhanced by bringing the environmental sounds up front in the recording.
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