Max Richter; J. Peter Schwalm: Transformed & Recomposed

Vivaldi RecomposedThroughout musical history, composers have always taken fragments of other composers’ work and used them to re-compose completely new compositions. Before “electricity”, their choice of instruments was ‘limited’ to that of the classical orchestra settings. And now time has passed, they all sound ‘classical’ to contemporary ears.
But when contemporary composers – especially from ‘rock’ or experimental field – reworks classical compositions, incorporating electronic media – hell breaks loose in purist camps on both sides.

At least, that’s how it used to be – some years ago. It seems things have changed a bit since we’re more accustomed to the culture of ‘sampling’. … Continue reading

TAPU 25 Anniversary Mix


Tapu 25

This mix is especially created to celebrate the 25th release on Michel Banabila’s Tapu Records (which will be released later this year).

In this mix (in fact a follow up of Streets, Dreams and Memories), all tracks & samples are chosen from the Tapu Records catalogue and so it displays the versatility of Banabila’s work – as solo artist as well as in collaboration with others.

A limited edition (100) physical Audio CD with this mix will be included with every physical release order from Banabila’s Bandcamp

Also, a VIDEO version (presenting the covers in sync with the mix, as well as including the impressive Geert Mulvideo for Crowds‘), can be downloaded for free (link below).

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London Docks – Tangaróa


London Docks

London Docks is the alias Nikita Sorokin uses for his solo work.
He’s not from London, but from Los Angeles.
Also a member of Insects vs. Robots – but don’t let that count as an introduction, because the music he presents as London Docks is quite different from that of this particular “psychotropicturesque quasi-nomadic music tribe”.

Tangaróa is a collection of tracks merging Nikita Sorokin‘s solo violin improvisations with “fields recordings and electronica into sonic dreamscapes that are inspired as much by science fiction and mythology as they are by musical ideas”.

… Continue reading

Dat Rayon – Motor City


Dat Rayon

From Gdansk, Poland comes Dat Rayon.
I have no idea who is (or are) behind that alias, but that only adds to the mystery of this album.

Motor City is Dat Rayon‘s second full album, the follow up of the self-released Station Wagondebut from 2012. This time it’s released by Zoharum, with a beautiful 6-panel sleeved physical edition too (limited to 300 and quickly selling out, by the way).

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Boozoo Bajou – 4


Boozoo Bajou

The music of Boozoo Bajou (German duo Florian Seyberth and Peter Heider) has always been quite atmospheric.
The three full albums (and numerous 12-inches) they have released since 2001 contained the low-tempo dubby trip-hop often called ‘Lounge’ – the lush kind of sounds that German musicians seemed to master exclusively.

Their latest album, 4, manages to build on all they did before, and use it as a foundation to create an album that ‘transcends basic categories and expectations’.

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Black Elk – Sketches I -V


Black Elk Sketches V

With core members Ian Hawgood (electronics), Danny Norbury(cello), Clem Leek (piano), and Tim Martin (Maps and Diagrams, electronics), Black Elk could be regarded as a post-classical/ambient “Supergroup”.

In 2012, their first albumSparks was released, a beautiful collection of atmospheric tracks in various styles.

For their recent Japan tour (december 2013) a collection of “Sketches” was assembled on five different (CDR) albums, containing outtakes, unfinished tracks, live performances and … sketches!

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More Piano!!

A seemingly random collection of albums with the piano as the main instrument…


Otto Totland - Pino

OTTO A. TOTLAND – PINÔ
Half of Deaf Center. Also half of Nest. More introduction to the intricate piano sounds of Otto A. Totland should hardly be needed.
“Pinô” is his first full featured solo-album, packed in a beautiful gold-embossed hardcover sleeve that perfectly matches the music it contains: atmospheric, calm, intimate.

The music was recorded in Nils Frahm’s (Durton) studio on a squeaky piano with a soft, velvety sound. The intimacy is enhanced by bringing the environmental sounds up front in the recording.

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Origamibiro – Odham’s Standard + Collection

Since it was founded in 2005, the Denovali label has grown into one of the most important European independent labels, exploring different (mostly experimental) genres.
Apart from releasing new music, they also have a fine taste in finding albums worth re-releasing. Often, the re-releases are paired to the release of a new album by the same artist.


Origamibiro Collection

In the case of Origamibiro (an audio-visual collective consisting of Tom Hill, Andy Tytherleigh and visual artist Jim Boxall aka The Joy of Box), the new album “Odham’s Standard” is accompanied by the release of a 3CD/4LP package calledCollection, presenting their previous albums Cracked Mirrors and Stopped Clocks (2007), Shakkei (2011), and Shakkei Remixed (2012).

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Michel Banabila – More Research from the Same Department


More Research

With The Latest Research from the Department of Electrical Engineering (2011), Michel Banabila dived deeper into more experimental electronic territory he started exploring on releases like “Spherics” (2001, 2003) and “Signals from Krakrot” (2008).
The sounds on this album are radically different from his more romantic, more acoustic ethno-jazz releases, but they never lost the characteristic ‘human touch’.

On More Research from the Same Department“, Banabila is vigorously searching for the heart and soul of electrical machinery, like an explorer presenting his discoveries.

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Incidental Memories (Mix)


Broken Memories - Photo: Rxist13

If one of the criteria for ‘ambient’ music is that you can comfortably fall asleep to it, I guess you’d better skip this particular mix. Although it starts quiet and reassuring with soothing vocal chords from Silvestrov’s “The Lord’s Prayer”, the mood disintegrates and sometimes can become rather unsettling – depending on your own personal ‘incidental memories’, of course.

For reasons I can’t really explain, this mix works better if you listen on speakers instead of headphones – just let the airwaves flow for maximum immersion.

… Continue reading