Jean-Paul Dessy (1963) is a Belgian composer with an impressive track record.
One that is clearly not afraid to cross borders into unknown territories: he has a distinct personal style of composing, which is quite different from other contemporary modern classical composers that often choose the romantic ‘cinematographic’ style. His work is dramatic, extremely dynamic – a roller coaster ride of conflicting emotions.
This is neither classical music as-we-know-it, nor is it rock music disguised as a symphony.
It’s not simply following the current ‘hip and happening’ post-classical style, but completely unique and personal. … Read More →
Multicast Dynamics‘s Scape and Aquatic System are the first half of a quadrilogy that will be completed with another two albums later.
The album series move from an evolutionary to a cosmological scale: starting from dry land filled with light and streams, to the constantly changing surface of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos.
This first half of the full project set a high bar for the remaining two releases of the series, but I am really very confident that this set will become a landmark in conceptual environmental ambient music. … Read More →
After walking with Alessio Ballerini through the region of Marche, Italy, we take a detour via outer space listening to Opollo and Sphäre Sechs, to finally land in Mexico feeling the winds from the mountains with Macheteoxidado. … Read More →
Two beautifully dark releases by Haarvöl and Norn, deep droning soundscapes from Ionosphere to help you watch the world pass into endless night – and finally Elian‘s razor sharp electronic noisescapes as a counterpoint to the preceding quiescence…. … Read More →
It’s probably best to keep awake and try not to fall asleep to the dreamy ambience of this month’s DreamScenes selection.
Because if you do, you’ll miss the rather weird operatic intermissions by We Like We and the timeless deconstruction of Irish Airs by Fovea Hex.
And the very special – and possibly somewhat unexpeced – track from Efrén Lopéz, of which the chours is the cry of alarm that the Cathars used in the 12th century: “A…E…I…O..U!!!” … Read More →
This mix is made to be published in the excellent series of mixes on the “Sounds of a Tired City”, part of the larger website with the same name.
It is published exactly on its first year’s anniversary, so it’s in fact a birthday present too!
Inspired by the site name, I decided I wanted to try to create a sonic ‘walk’ through a ‘tired’ city.
A mix with a lot of scene changes… like walking through an unknown city on a (quiet sunday?) morning – finding hidden surprises and marvels around every corner.. … Read More →
It’s hard to keep up with so much great music out there.
Here’s a selection that brings you from modern classical to futuristic dub (via reel-to-reel tape delay)!
Hightlights from Monochromie; Visionary Hours; Peter Grech; Northumbria and Mogano … Read More →
More than ever before, it seems female artists are rightfully claiming their own space in experimental electronics.
Hot on the heels of the surprising Sleepstep album by Dasha Rush comes All In All – a new release by Cio D’Or (who’s track Distanz also saw a beautiful remix on the recent Sonae album). Sleepstep and All In All are a perfect match, exploring the same musical areas of experimental yet atmospheric techno, pushing the boundaries of (dub-) techno into new and adventurous territories. … Read More →
At first listen, her new album Sleepstep (subtitled ‘Sonar Poems for my Sleepless Friends’) does not sound like a ‘typical’ Raster-Noton release… maybe because her sonar poems are ‘feminine, subtle and personal reports’ – nothing like the usual concepts of electronic music created by nerdy, predominantly male tech-wizzards.
But as the album progresses, the musical soundscapes get more abstract and gradually prove Dasha’s perfectly at home on the Raster-Noton label. … Read More →
Thomas Newman is the widely acclaimed composer of more than 50 film and television scores, earned no less than twelve Academy Award nominations and six Grammy Awards for an impressive list of movies that are not exactly of the lesser-known kind.
Just to name a few: American Beauty, The Shawshank Redemption, Finding Nemo, Wall-E, The Horse Whisperer, The People vs. Larry Flynt…
Rick Cox is a composer and multi-instrumentalist, explorer of ‘prepared electric guitar’ techniques, who has played with the likes of Ry Cooder, Jon Hassell, and is no stranger to creating film music himself…hence their connection.
Knowing this, I expected to hear some well crafted and slick ‘movie soundtrack music’.
But I was wrong!
Monty Adkins he often chooses a single instrument to work with and then starts exploring its possibilities and manipulating its sounds.
And while the starting point and sounds are very different to begin with, he manages to create a ‘sound-field’ that is immediately recognisable.
“Unfurling Streams”, his recent release on Crónica, is based on recordings of percussion instruments made by Jonny Axelsson (a much praised percussionist with impressive experience in playing contemporary music by composers like Stockhausen, Ligeti and Kevin Volans) and Monty Adkins himself. … Read More →